Chautauqua Symphony Orchestra and Classical Concerts
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Contact Information
Chautauqua Institution Ticket Office
Monday–Friday, 10 a.m. to 4 p.m. EDT
ticketoffice@chq.org
716.357.6250
Order online:
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Upcoming Events
August 15 @ 8:15 pm Week Eight (August 10–17)
Chautauqua Symphony Orchestra: Shostakovich’s First Symphony
Amphitheater
Chautauqua Symphony Orchestra: Shostakovich’s First Symphony
Rossen Milanov, conductor
Prepare to be captivated by a symphony program that bridges the past and the present with extraordinary grace. The evening commences with Caroline Shaw’s “Entr’acte,” a contemporary gem that enchants with its ethereal melodies and innovative harmonies, showcasing Shaw’s unique voice as a composer. Following this mesmerizing introduction, the orchestra delves into the dramatic depths of Dmitri Shostakovich’s Symphony No. 1, a groundbreaking work that heralded the arrival of a musical prodigy. Shostakovich’s symphony, with its bold themes and masterful orchestration, stands as a testament to the enduring power of music. Join us for an unforgettable symphony experience, where the genius of Shaw and Shostakovich converge to create an evening of sublime musicality.
Program:
Caroline Shaw: Entr’acte
Dmitri Shostakovich: Symphony No. 1, Op. 10
This program is made possible by The David B. and Barbara Barrett Orr Music Fund and The Boyle Family Fund for the Performing Arts.
August 17 @ 8:15 pm Week Nine (August 17–25)
Chautauqua Symphony Orchestra: The Rite of Spring
Amphitheater
Chautauqua Symphony Orchestra: The Rite of Spring
Rossen Milanov, conductor
Cassandra Trenary, dancer
Choreographer Molissa Fenley’s celebrated solo work, State of Darkness, originally commissioned by the American Dance Festival in 1988, pairs Stravinsky’s complete The Rite of Spring with an intense 35-minute solo performance of relentless fervency, technical precision, and fearless abandon, brought to the Chautauqua stage by American Ballet Theater Principal Dancer Cassandra Trenary. Fenley reimagined the commanding score as the sonic landscape for a solo journey, rather than the usual ensemble interpretations.
The program opens with Leoš Janáček’s Taras Bulba, a vibrant symphonic rhapsody that vividly depicts the story of the Cossack leader Taras Bulba and his sons. Through its evocative melodies and dramatic orchestration, it captures the heroism and tragedy of this legend.
Program
Leoš Janáček: Taras Bulba
State of Darkness
Igor Stravinsky: The Rite of Spring
Cassandra Trenary, dancer
This program is made possible by The Jim and Lynn Levinson Fund for the Chautauqua Symphony Orchestra and by The Lewis Miller Memorial Fund.
August 20 @ 8:15 pm Week Nine (August 17–25)
Chautauqua Chamber Music: Alexa Tarantino Quartet
Amphitheater
Chautauqua Chamber Music: Alexa Tarantino Quartet
In the words of Wynton Marsalis, saxophonist and composer Alexa Tarantino is a “one-woman wrecking crew, […] an indomitable force for expression, education, and absolute excellence.” The Alexa Tarantino Quartet engages their audience through Tarantino’s original compositions and modern takes on classic standards and favorites. With a wide range of inspiration, the Quartet’s repertoire remains refreshing with uplifting elements of creative improvisation and musical interaction.
The Quartet celebrates their debut album, “Winds of Change,” produced by Posi-Tone Records in May 2019. Recent New York City performances include Dizzy’s Club, The Jazz Standard, and Birdland Theater. The Quartet has also played the Rockport Jazz Festival at the Shalin Liu Performance Center in Rockport, Massachusetts for the past several years. Currently, the ensemble holds a residency as Faculty Members, with Alexa Tarantino as Founder/Director, at the Rockport Jazz Workshop.
August 21 @ 8:15 pm Week Nine (August 17–25)
Wynton Marsalis’ All Rise Jazz at Lincoln Center Orchestra with the Music School Festival Orchestra and Buffalo Philharmonic Chorus, Timothy Muffitt, conductor
Amphitheater
Wynton Marsalis’ All Rise Jazz at Lincoln Center Orchestra with the Music School Festival Orchestra and Buffalo Philharmonic Chorus, Timothy Muffitt, conductor
“The 20th was the century of communication. The 21st will be the century of integration. Our rapidly developing global community is the most exciting modern reality.” So opens Wynton Marsalis’ notes to “All Rise,” considered the composer’s Symphony No. 1 — a work not just of music, but of life, history, and the joyous power people hold to create art and progress when they work collectively and collaboratively. Two extraordinary performances of “All Rise” are the cornerstone of the closing week of the Chautauqua season, as Chautauqua’s very own Music School Festival Orchestra under the baton of Timothy Muffitt joins forces with the Buffalo Philharmonic Chorus and the legendary Jazz at Lincoln Center Orchestra with Wynton Marsalis on the Amphitheater stage.
This performance is made possible in part by The Hultquist Foundation, Inc. and The H. David Faust Leadership Fund.
August 22 @ 8:15 pm Week Nine (August 17–25)
Wynton Marsalis’ All Rise Jazz at Lincoln Center Orchestra with the Music School Festival Orchestra and Buffalo Philharmonic Chorus, Timothy Muffitt, conductor
Amphitheater
Wynton Marsalis’ All Rise Jazz at Lincoln Center Orchestra with the Music School Festival Orchestra and Buffalo Philharmonic Chorus, Timothy Muffitt, conductor
“The 20th was the century of communication. The 21st will be the century of integration. Our rapidly developing global community is the most exciting modern reality.” So opens Wynton Marsalis’ notes to “All Rise,” considered the composer’s Symphony No. 1 — a work not just of music, but of life, history, and the joyous power people hold to create art and progress when they work collectively and collaboratively. Two extraordinary performances of “All Rise” are the cornerstone of the closing week of the Chautauqua season, as Chautauqua’s very own Music School Festival Orchestra under the baton of Timothy Muffitt joins forces with the Buffalo Philharmonic Chorus and the legendary Jazz at Lincoln Center Orchestra with Wynton Marsalis on the Amphitheater stage.
This performance is made possible in part by The Hultquist Foundation, Inc. and The John T. and Katherine G. Bailey Family Fund.