Chautauqua Symphony Orchestra Musician Bios
Diane Bruce
Violinist Diane Bruce performs regularly at Carnegie Hall and Lincoln Center with the American Symphony, American Composers Orchestra and American Ballet Theater, among others. She has served as Principal Second of the Chautauqua Symphony since 1993. She has played for many Broadway shows, including Les Mis, An American in Paris and The King and I, at Radio City for the Christmas Spectacular and with The Berkshire Bach Society.
Diane received her Bachelor’s and Master’s degrees in music from the Juilliard School.
In addition to maintaining a violin teaching studio in Metuchen, NJ, she is an AmSat certified teacher of the Alexander Technique www.dianebrucealexandertechnique.com
When not performing or teaching Diane enjoys swimming and biking, gardening, meditation and playing fetch with her indefatigable Whippet, Bebti.
P.J. Cinque
Double bassist P.J. Cinque joined the Chautauqua Symphony Orchestra in 2020. Outside of Chautauqua, P.J. is a member of the San Diego Symphony and has performed with the Cincinnati Symphony Orchestra, the Los Angeles Philharmonic, the Utah Symphony, and the City of Birmingham Symphony Orchestra. As an educator, P.J. served as the double bass professor at Capital University in Columbus, Ohio, and has given masterclasses at Northern Arizona University and SooChow University in Taiwan. A native of Long Island, he received his bachelor and master’s degrees from The Juilliard School with further study at the University of Cincinnati College-Conservatory of Music. P.J.’s principal teachers include Homer Mensch, Timothy Cobb, Albert Laszlo, and Owen Lee. During his studies, P.J. participated in the Pacific Music Festival and spent three summers at the Aspen Music Festival and School as an orchestral fellowship recipient. P.J. is honored to be a part of the Chautauqua community and enjoys everything the institution and the region have to offer.
Luke Fitzpatrick
Lauded by the South Florida Classical Review for his “vivacious and buoyant” playing, flutist Luke Fitzpatrick is the recently appointed second flutist with the Chautauqua Symphony Orchestra. During the year, Luke serves as the principal flutist of the Fort Wayne Philharmonic. He has held principal positions with the Des Moines Metropolitan Opera, the Sarasota Opera, and the Artosphere Festival Orchestra.
Passionate about education, Luke is the professor of Flute at the Purdue University of Fort Wayne in Indiana, where he conducts the flute ensemble. He is also the co-founder and director of the Bonita Boyd International Master Class, “The Artistic Flutist,” a summer flute intensive at the Eastman School of Music that draws musicians from all over the world.
Luke holds degrees from the Eastman School of Music, Carnegie Mellon University, and The Colburn School.
Luke is overjoyed to be returning to Chautauqua this summer to make music with his incredibly talented colleagues here in New York.
Carrie Dreyer Fischer
Carrie Dreyer Fischer joined the viola section of the Chautauqua Symphony Orchestra in 2022. She received her Orchestral Performance degree from Manhattan School of Music, and also holds viola performance degrees from University of Maryland and University of Oregon. Ms. Fischer has appeared as a soloist with the Chelsea Symphony in New York City performing Mozart’s Sinfonia Concertante. She has performed as a chamber musician with Trio Con Brio, Manhattan Chamber Orchestra, Verbier Chamber Orchestra, and the Brussels Chamber Orchestra. While in New York, she played regularly at Carnegie Hall with the New England Symphonic Ensemble. She has performed with the Cincinnati Symphony Orchestra, North Carolina Symphony, ProMusica Chamber Orchestra, Dayton Philharmonic, North Carolina Opera, Richmond Symphony, New World Symphony, and the Concert Artists of Baltimore.
As a member of the Verbier Festival and Chamber Orchestras, she toured throughout Europe, Asia, Australia, the US, and Canada. Ms. Fischer teaches at the School for Creative and Performing Arts in Cincinnati, where she resides with her husband, violist Christopher Fischer and their two daughters.
Christopher Fischer
Christopher Fischer is the Principal Violist of the Chautauqua Symphony Orchestra, having previously served as Assistant Principal from 2015–2017. In the Chautauqua off-season, Mr. Fischer is a member of the Cincinnati Symphony Orchestra. Previous engagements have included Assistant Principal Viola of the North Carolina Symphony, Fellow at the New World Symphony, and Principal Viola of the Midland-Odessa Symphony. Born in Columbia, Missouri, Mr. Fischer holds degrees from Indiana University and University of Missouri. His principal teachers have included Atar Arad, Leslie Perna, and Yuval Gotlibovitch.
As a chamber musician, he has appeared frequently on the Cincinnati Symphony’s Chamber Players series, and has performed with the Borromeo Quartet, the Mallarme Chamber Players, and was a member of the Permian Basin String Quartet. He has been featured as a soloist with the Chautauqua Symphony Orchestra and the Brussels Chamber Orchestra. Playing with the International Sejong Soloists, a chamber orchestra based in New York City, he performed nationally televised concerts at the Great Mountains Music Festival in South Korea. As a member of the North Carolina Symphony’s Ensembles in the Schools String Quartet, he performed outreach concerts for students across North Carolina. Mr. Fischer teaches at the Cincinnati School for the Creative and Performing Arts, and has previously taught at Miami University, North Carolina State University, and the University of Texas at the Permian Basin.
Ming Gao
Ming Gao , associate concertmaster of the Naples Philharmonic, concertmaster of Punta Gorda Symphony Orchestra, has served as concertmaster of the Nanjing Experimental Orchestra in his native China and of the Eastman Philharmonia at the Heidelberg Castle Festival in Germany. He has also served as acting concertmaster of the Youngstown and Harrisburg symphony orchestras and the MOSSPAC Chamber Orchestra. During the summer months, Ming is a first violinist in the Chautauqua Symphony Orchestra in New York, and he has also served as the acting associate concertmaster from the 2018 to 2022 seasons.
Ming Gao is an adjunct violin professor of Florida Gulf Coast University, he was also given the title of guest professor of violin at the Nanjing Conservatory of Music.
As a soloist, Ming has appeared with the Naples Philharmonic, Punta Gorda Symphony Orchestra,Orchestra Nova, Nanjing Experimental Orchestra and Jiangsu Provincial Symphony Orchestra, among others, performing a repertoire including Chen Gang’s Butterfly Lovers Violin Concerto, Mendelssohn’s Violin Concerto in E Minor and Paganini’s Concerto in D Major.
Kieran Hanlon
Kieran J. Hanlon is Associate Professor of Bass and Jazz at The State University of New York at Fredonia.
Kieran is an active orchestral performer, and holds contracts as Principal Bass of the Erie Philharmonic and Section Bass in the Chautauqua Symphony. In addition to frequent engagements as a freelance classical musician in upstate New York, Kieran is a first call Jazz performer in the area. As a guest clinician, Kieran has presented workshops and masterclasses at several conservatories and universities around the United States.
Kieran completed a Master of Music Degree in Double Bass Performance at the Eastman School of Music with Professor of Double Bass James VanDemark. He also completed Eastman’s Orchestral Studies Diploma Program. Kieran’s undergraduate studies were completed at The University of Michigan School of Music, Theatre and Dance in April of 2012, where he studied classical repertoire with Professors Diana Gannett and Stephen Molina and Jazz with Professor Robert Hurst.
Outside of the music world, Kieran enjoys spending time with wife Elizabeth Hanlon (Fredonia faculty: clarinet,) and daughter Eva. He also spends time working on his house and vehicles, gardening, biking, hiking, boating, and enjoying quality time in fellowship with good friends and colleagues.
David Hult
Rochester Philharmonic Orchestra; Rochester Oratorio Society, Concertmaster; Chautauqua Chamber Music Society, Music Director; Rhapsodie Trio; formerly faculty at Rochester Institute of Technology, Director of the Performing Arts Scholars Program, Nazareth University; SUNY Geneseo.
Daniel Kaler
A member of the Cincinnati Symphony Orchestra and the Chautauqua Symphony Orchestra since 2022 and 2024, respectively, cellist Daniel Kaler received his B.M from the Cleveland Institute of Music and M.M from Rice University’s Shepherd School of Music, studying with Mark Kosower and Brinton Smith.
In recent years, Kaler performed with orchestras such as the Bogotá Philharmonic, Boca del Rio Philharmonic, Asheville Symphony, Oistrakh Symphony of Chicago, Chautauqua Music School Festival Orchestra, to name a few. He was a prizewinner at competitions such as the Clara Schumann International Competition, Muse International Music Competition, and the North International Music Competition. His concert engagements for the 2023-24 season include performances of works by Bach, Brahms, Kodály, and Tchaikovsky.
Kaler attended and gave performances at solo, chamber, and orchestral programs, such as the Chautauqua Music Festival, Sarasota Music Festival, Heifetz Institute, Bowdoin International Music Festival, North Shore Chamber Music Festival, and Chicago Cultural Center. Appearances include performances on WFMT’s “Introductions”, WCLV 104.9, as well as WCPN’s “Applause Performances”.
Olga Kaler
Praised by critics for her “deep, soulful sound” and “powerful, enchanting renditions,” Olga Dubossarskaya Kaler has toured three continents as a soloist, chamber musician, and artist-teacher, balancing her performing and teaching careers with equal success. She joined the violin faculty of the Cleveland Institute of Music in 2017, following her 15-year tenure at DePaul University School of Music in Chicago.
Olga Dubossarskaya Kaler’s original composition for solo violin, Recitativo and Toccata, was published in 2020 by the Soundwave Music Company, along with her edition of the Solo Violin Sonata by Boris Dubossarsky, her father, a celebrated Moldavian composer. Both works are included in her critically acclaimed 2022 Centaur Records CD release, Seven Ways To Say Farewell. Four out of seven pieces are world premiere recordings.
Dr. Kaler’s scale system for violin and for viola, entitled Scale System for Reluctant Scale Enthusiasts, and her method book, An Effective Method for Teaching and Studying Violin Technique, met with enthusiastic reception from string players and pedagogues worldwide. Both works are published through Amazon, and in an electronic version through Ovation Press.
Kaler holds a Doctor of Musical Arts degree from the Northwestern University Bienen School of Music, and her previous degrees are from the New England Conservatory, the Moscow State Conservatory, and the Stolyarsky Special Music School for Gifted Children in Odessa, Ukraine. Among her violin competition awards are Diploma and the Special Prize for the best performance of the required work “Arioso and Burlesque” by Ottavio Zino at the Rodolfo Lipizer International Violin Competition, 1st Prize at the Northwestern Competition, as well as the 1st Prize at Thaviu-Isaak Competition, USA.
Roger Kaza
Roger Kaza rejoined the St. Louis Symphony Orchestra as Principal Horn in the fall of 2009, after 14 years with the Houston Symphony. He was previously third horn of the SLSO during the Leonard Slatkin era, and prior to that held positions in the Vancouver BC Symphony, Boston Symphony, and the Boston Pops, where he was solo horn under John Williams. In addition to his SLSO duties, Kaza is Principal Horn of the Chautauqua Symphony in New York, and has played guest principal with the Los Angeles Philharmonic, Chicago Symphony, and the symphonies of San Francisco, Dallas, Detroit, and Utah, among others. A native of Portland, Oregon, he attended Portland State University, studying with Pat Fay and Christopher Leuba, and later transferred to the New England Conservatory in Boston, where he received a Bachelor of Music with Honors in 1977 under the tutelage of Thomas E. Newell, Jr.
The son of two musicians growing up in a musical family, Kaza received his early training on piano with Lenore Cowling, giving two solo recitals on that instrument before concentrating on horn. He has studied composition with the late Czech-American composer Tomas Svoboda and conducting with Leonard Slatkin, Gunther Schuller, and Murry Sidlin. He has conducted more than 40 concerts with members of the Houston Symphony under the auspices of its Community Connections outreach program, giving free concerts in schools, churches, homeless shelters, and retirement homes.
As an educator, Kaza has served on the faculties of the University of Houston, Rice University, St. Louis Conservatory, University of Missouri-St. Louis, Southern Illinois University-Edwardsville, Tanglewood, Chautauqua, and has given master classes at the Eastman School, Juilliard, Curtis, Indiana University, University of Michigan, and many others. In 2019 he was invited to serve as faculty for Yo-Yo Ma’s YMCG festival in Guangzhou, China. His students fill orchestral positions worldwide, including major U.S. symphonies and chamber groups such as the American Brass Quintet. In addition, he has been engaged as a featured artist for the International Horn Society at its annual convention. He is creator of the humorous instructional CD, Audition: Improbable, and a contributor to the syndicated NPR radio show and podcast, Engines of Our Ingenuity.
Kaza has appeared as soloist with many orchestras, including the St. Louis, Vancouver, and Houston symphonies, and the Carlos Chavez Chamber Orchestra in Mexico City. In 2021 he performed the world premiere of Stefan Freund’s Voyageur Fantasy, a work commissioned by the SLSO in honor of the Missouri Bicentennial. A frequent chamber musician as well, he performs regularly with the Chamber Music Society of St. Louis, Ariel Concert Series, and numerous summer venues, including the Bravo! Vail Valley Festival, Chamber Music Northwest, Mainly Mozart, Strings in the Mountains, the Aspen, and Marrowstone festivals.
An avid cyclist, hiker, and whitewater rafter, Kaza is especially fond of the horn in its original setting: out-of-doors. A performance of Olivier Messiaen’s “Interstellar Call,” from his suite From the Canyons to the Stars, recorded at the bottom of the Grand Canyon, was personally critiqued by the composer shortly before his death in 1992.
In 2023, Kaza was named Principal Conductor of the Metropolitan Orchestra of St. Louis, an ensemble comprised of the metro area’s top freelancers, sharing the stand with a handful of elite students.
Simon Lapointe
Canadian-American violinist Simon Lapointe enjoys a varied career as a performer and teacher. In addition to serving as Principal Second Violin of the Virginia Symphony Orchestra for 17 years and Assistant Principal Second Violin of the Chautauqua Symphony Orchestra since 2010, he has also served as Assistant Concertmaster of the Richmond Symphony, Assistant Principal Second Violin of the Quebec Symphony Orchestra and Acting Concertmaster of the West Virginia Symphony.
Simon has performed the concertos of Dvorak, Mendelssohn, Sibelius, Mozart, and Vivaldi with several orchestras in the United States and Canada. Since 2005, he is the first violin of Ambrosia Quartet, which recorded an album of music by Adolfus Hailstork, released in 2017 on Albany Records. He can also be heard on Centaur, Erm Media and Navona Records.
His teachers include Helmut Lipsky, Johanne Pothier and Martin Beaver. He is a graduate of the Conservatoire de musique de Trois-Rivières and the Peabody Conservatory of Music at Johns Hopkins University.
Kathryn Levy
Kathryn Levy earned both the BM and the coveted Performer’s Certificate from the Eastman School of Music, where she studied with Joseph Mariano. As a student, she won scholarships to the Music Academy of the West in Santa Barbara, California, where she studied with Roger Stevens and the Aspen Music Festival in Colorado, where she studied with Maurice Sharpe. A member of the professional music sorority Mu Phi Epsilon, she was named outstanding senior by the national organization.
Ms. Levy enjoys an active career as an orchestral musician, chamber musician and teacher. She has held orchestral positions with the New Orleans Philharmonic and the Rochester Philharmonic. In addition, she has performed with the New Hampshire Music Festival, the Peter Britt Festival in Oregon, the Cabrillo Festival and the Mozart Festival, both in California, the North Carolina Symphony, the Charlotte Symphony, the Greensboro Symphony, the Salisbury Symphony and has toured Europe three times with the American Sinfonietta. A founding member of OP5 Woodwind Quintet and Director of the Silver Wind Flute Choir of Winston-Salem, she is frequently heard performing chamber music with Wake Forest University faculty. She has held teaching positions at the University of North Carolina at Greensboro, Salem College and Davidson College.
Currently, Ms. Levy serves as Professor of Flute at Wake Forest University where she has developed the flute choir and wind chamber music programs in addition to her studio teaching. For 37 years, Ms. Levy has organized an annual Flute Fest concert at WFU featuring outstanding WFU flute students, the WFU Flute Choir, a professional flute choir (The Silver Winds), and a community flute choir consisting of area flutists of all ages. She also holds the positions of Principal Flute of the Winston-Salem Symphony and Piccoloist of the Chautauqua Symphony Orchestra.
Leslie Linn
Leslie is currently based near Washington, D.C., freelancing there and in Arizona in a variety of musical genres, He is Principal Trumpet with the Arizona Opera and performs every summer as a member of the Chautauqua Symphony Orchestra. He is a member of the Capital Wind Symphony and has played with the Alexandria Symphony, the Loudoun Symphony, and the Washington Concert Opera.
Leslie has taught at every level from pre-Kindergarten through university graduate courses, including Wichita State University and the Keystone Brass Institute. He created the band program at All Saints’ Episcopal Day School in Phoenix.
Leslie has been a member or performed with Palo Verde Brass, Summit Brass, the Phoenix Symphony, la Orquesta Sinfónica de Bilbao, the Wichita Symphony, the Graz Festival Orchestra, the Basque National Orchestra, the New Mexico Symphony, the San Diego Symphony, the Rogue Valley Symphony, the Adrian Symphony, the Reading Symphony, and the Aspen Festival Orchestra.
Leslie works as an educator through teaching private lessons, coaching brass ensembles, giving masterclasses, and guest conducting school ensembles.
Leslie has been an American Federation of Musicians member since 1981, and currently belongs to Local 586 (Phoenix, AZ), Local 134 (Jamestown, NY), and Local 161-710 (Metropolitan Washington D.C.).
John Marcellus
Dr. Marcellus is currently Emeritus Professor of Trombone (Retired) at the Eastman School of Music of the University of Rochester and past Chairman of the Woodwind, Brass and Percussion Department. He also is Conductor of the Richey Community Orchestra in Port Richey, Florida, Music Director of the Bemus Bay Pops and the Chautauqua Lake Pops in Mayville, NY since 1988, Emeritus Music Director of the Brighton (NY) Symphony Orchestra (1980-2014).
He has been Principal Trombone with the Chautauqua Symphony Orchestra since 1978 and currently a Clinician for the Buffet-Crampon Group for Courtois Trombones. As a free-lance trombonist in Florida he performs with the Florida Wind Band, Tampa Bay Symphony, St. Pete College Wind Symphony, Villages Philharmonic Orchestra, and is a substitute trombonist with the Helios Jazz Orchestra and the TomKatz Jazz Orchestra and recently formed the Marcellus-Winding Trombone Septet a jazz trombone ensemble.
He attended Florida State University (1957-1960) and completed a B.S. in Education from University of Maryland (1960), Master of Music and Doctorate of Music Degrees are from Catholic University of America in 1972 and 1974. He was the first Low Brass teacher at the North Carolina School of the Arts in 1965, and has also taught trombone and brass ensembles at the Interlochen Arts Academy, American University, Howard University, Catholic University of America and the Wolf Trap Academy of the Arts
For 13 years John was Principal Trombone with the National Symphony Orchestra and former soloist with the United States Navy Band (Washington, DC), Associate Principal Trombone with the Baltimore Symphony (1964) and Principal Tuba at the age of 16 with the Jacksonville (Fla.) Symphony Orchestra.
He has given solo recitals and master classes throughout the United States and Canada and in England, France, Germany, Austria, Japan, Sweden, Denmark, Finland, Australia, Greece, Poland and Hungary.
Marcellus has premiered or commissioned over 50 contemporary works for trombone and trombone ensembles and was the Director/Host of the International Trombone Workshop/Festival in 1991 and 2014 at the Eastman School. He is a founding board member and Past President of the International Trombone Association.
In June 1999 he received the International Trombone Associations’ award in recognition of his accomplishments in Trombone Performance, Literature and Pedagogy and a Lifetime Achievement Award in 2012. The American Trombone Workshop awarded him a Lifetime Achievement Award in 2013.
Mark Robbins
Mark Robbins, originally from Bethesda Maryland, has been Associate Principal French Horn with the Seattle Symphony and Seattle Opera Orchestras since 1998. He has been a soloist with the Seattle Symphony on a number of occasions, and a member of the Chautauqua Symphony Orchestra horn section since 1984. Previously he was a member of the Florida Philharmonic Orchestra in Miami. Also a frequent performer of chamber music, he’s performed often with the Seattle Chamber Players, and has performed at the Spoleto, Italy, Tanglewood, and Olympic Music Festivals. He is an active teacher and has former students holding positions as professional musicians around the country and world. He has been the horn coach for the Seattle Youth Symphony Orchestra, and has taught at Cornish College for the Arts. He graduated from Temple University with a music performance degree, where he studied horn with the late Kendall Betts.
Daniel Spitzer
Since 2013, Daniel Spitzer has served as Chautquaqua Symphony’s Bass/Utility Clarinetist. His musical pursuits extend beyond Chautauqua, as he’s Second/Bass Clarinetist with the Delaware Symphony, long time substitute with the Philadelphia Orchestra, and holds Principal Clarinet roles with the Hudson Valley Philharmonic and the Fenimore Chamber Orchestra.
He has had numerous performances with the NY Philharmonic, the NYC Ballet Orchestra, the Orpheus Chamber Orchestra, and the American Symphony at Carnegie Hall and Lincoln Center. His music has led him on tours throughout the U.S., Japan, Korea, Cuba, and Germany.
He has collaborated with artists such as Chris Botti, Joshua Bell, Wynton Marsalis, The Irish Tenors, Hilary Hahn, and Yo-Yo Ma.
He’s also embraced Broadway, featuring productions like Wicked, Phantom of the Opera, Les Miserable, On the Town, The Music Man, The King and I, Mary Poppins, and Beauty and the Beast.
Educated at The Juilliard, Eastman, and Manhattan Schools of Music, Daniel is not only a performer but also a committed educator. Daniel has been a Clarinet professor at Rutgers University Mason Gross School for the Arts and contributed to the faculties of the University of Mississippi in Oxford, State University in Starkville, and Millsaps College in Jackson, MS.
Since 2013, Daniel Spitzer has served as Chautquaqua Symphony’s Bass/Utility Clarinetist. His musical pursuits extend beyond Chautauqua, as he’s Second/Bass Clarinetist with the Delaware Symphony, long time substitute with the Philadelphia Orchestra, and holds Principal Clarinet roles with the Hudson Valley Philharmonic and the Fenimore Chamber Orchestra.
He has had numerous performances with the NY Philharmonic, the NYC Ballet Orchestra, the Orpheus Chamber Orchestra, and the American Symphony at Carnegie Hall and Lincoln Center. His music has led him on tours throughout the U.S., Japan, Korea, Cuba, and Germany.
He has collaborated with artists such as Chris Botti, Joshua Bell, Wynton Marsalis, The Irish Tenors, Hilary Hahn, and Yo-Yo Ma.
He’s also embraced Broadway, featuring productions like Wicked, Phantom of the Opera, Les Miserable, On the Town, The Music Man, The King and I, Mary Poppins, and Beauty and the Beast.
Educated at The Juilliard, Eastman, and Manhattan Schools of Music, Daniel is not only a performer but also a committed educator. Daniel has been a Clarinet professor at Rutgers University Mason Gross School for the Arts and contributed to the faculties of the University of Mississippi in Oxford, State University in Starkville, and Millsaps College in Jackson, MS.