The Christians

• By Lucas Hnath
• Directed by Taibi Magar
• Scenic Design by Adam Rigg
• Costume Design by Andrew Jean
• Lighting Design by Masha Tsimring
• Sound Design by Mikaal Sulaiman

One Man, Two Guvnors

• By Richard Bean
• Directed by Andrew Borba
• Scenic Design by Lee Savage
• Costume Design by Angela Calin
• Lighting Design by Scott Bolman
• Sound Design by Rob Kaplowitz

A Midsummer Night’s Dream

• By William Shakespeare
• In a modern verse translation by Jeff Whitty
• Directed by Sarah Elizabeth Wansley
• Scenic Design by Jill Davis
• Costume Design by Dixon Reynolds
• Sound Design by John Kolbinski

The New Play Workshops:

• Scenic Design by Sasha Schwartz
• Costume Design by Dorrotya Vincze
• Lighting Design by Baxter Carlisle Chambers
• Sound Design by Zackery Aaron Bennett
• How the Light Gets In,By E. M. Lewis | Directed by Emilie Beck
• On the Exhale,By Martín Zimmerman | Directed by Patrick Walsh (CTC Directing Fellow alum) | An Actor/Director Workshop
• Agent 355, Music, Lyrics and Book by Preston Max Allen | Book and Dramaturgy by Jessica Kahkoska | Directed by Estefania Fadul

An Octoroon

• By Branden Jacobs-Jenkins
• Directed by Giovanni Sardelli
• Scenic Design by Lee Savage
• Costume Design by Sarah Nietfeld
• Lighting Design by Alan Edwards
• Sound Design by Vinnie Olivieri
• Projection Design by Christopher Ash

Airness

• By Chelsea Marcental
• Directed by Joshua Brody
• Scenic Design by William Boles
• Costume Design by Mary Eggers
• Lighting Design by Scott Bolman
• Sound Design by Miles Polaski

Into the Breeches!

• By George Brant
• Directed by Laura Kepley
• Scenic Design by Robert Mark Morgan
• Costume Design by Angela Calin
• Lighting Design by Masha Tsmiring
• Sound Design by Rob Kaplowitz

As You Like It

• By William Shakespeare
• Directed by Andrew Borba
• Scenic Design by Samuel Keamy Minor
• Costume Design by Jennifer Clark
• Lighting Design by Mextly Almeda
• Sound Design by Jeff Sherwood

The New Play Workshops:

• Scenic Design by Samuel Keamy Minor
• Costume Design by Jennifer Clark
• Lighting Design by Mextly Almeda
• Sound Design by Jeff Sherwood
• Untitled Russia Play, By Lauren Yee | Directed by Nicholas Avila
• Jump, By Charly Evon Simpson | Directed by Summer Williams
• The Amish Project, By Jessica Dickey | Directed by Sarah Elizabeth Wansley

Special Events:

• How I Got This Job

Noises Off

• By Michael Frayn
• Directed by Andrew Borba
• Scenic Design by Tom Buderwitz
• Costume Design by Angela Calin
• Lighting Design by Scott Bolman
• Sound Design by Rob Kaplowitz

Detroit ‘67

• By Dominique Morrisseau
• Directed by Steve Broadnax III
• Scenic Design by Michael Carnahan
• Costume Design by Richard St. Clair
• Lighting Design by Alan Edwards
• Sound Design by Craig Curtis
• Projection Design by Katherine Freer

Romeo and Juliet

• By William Shakespeare
• Directed by Dawn Monique Williams
• Scenic Design by Andrea Bechert
• Costume Design by Courtney Flores
• Lighting Design by Masha Tsmiring
• Sound Design by Elisheba Ittoop

The New Play Workshops:

• Scenic Design by Amelia Bransky
• Costume Design by Mari Taylor
• Lighting Design by Alex Miller-Long
• Sound Design by Jordan Tani
• Dan Cody’s Yacht, By Anthony Giardina | Directed by Doug Hughes
• Birthday Candles, By Noah Haidle | Directed by Vivienne Benesch
• Building the Wall, By Robert Schenkkan | Directed by Katherine McGerr

In the Next Room (Or the Vibrator Play)

• By Sarah Ruhl
• Directed by Lucie Tiberghein
• Scenic Design by Alexis Distler
• Costume Design by Tracy Christensen
• Wig and Hair Design by Dave Bova
• Lighting Design by Masha Tsimring
• Sound Design by Elisheba Ittoop

The Profane — a Chautauqua Commission

• By Zayd Dohrn
• Directed by Vivienne Benesch
• Scenic Design by Lee Savage
• Costume Design by Sabrina Zain
• Lighting Design by Scott Bolman
• Sound Design by Rob Kaplowitz

Taming of the Shrew

• By William Shakespeare
• Directed by Andrew Borba
• Scenic Design by Tom Buderwitz
• Costume Design by Janet O’Neil
• Lighting Design by Cecilia Durbin
• Sound Design by Steven Cahill

The New Play Workshops:

• Scenic Design by Bruno Pierre-Houle
• Costume Design by Alexis Chaney
• Lighting Design by Reza Behjat
• Sound Design by Josh Samuels
• Tiny Houses, By Chelsea Marcantel | Directed by Joshua Kahan Brody
• The Glow Overhead, By Nick Gandiello | Directed by Sherri Eden Barber

Our Town (July 3-12)

• By Thornton Wilder
• Directed by Paul Mullins
• Scenic Design by Lee Savage
• Costume Design by Andrea Hood
• Lighting Design by Seth Reiser
• Sound Design by Brandon Reed

Intimate Apparel (July 24-August 2)

• By Lynn Nottage
• Directed by Vivienne Benesch
• Scenic Design by Alexis Distler
• Costume Design by Anne Kennedy
• Lighting Design by Scott Bolman
• Sound Design by Justin Ellington

Henry V (August 14-21)

• By William Shakespeare
• Directed by Evan Cabnet
• Scenic Design by Lee Savage
• Costume Design by Tracy Christensen
• Lighting Design by Justin Townsend
• Sound Design by Matt Tierney

The New Play Workshop:

• Costume Design by Dominique Hill
• Lighting Design by Megan Turnquist
• Sound Design by Brandon Reed
• The Engine of Our Ruin (July 17-18), By Jason Wells | Directed by Ethan McSweeny | Scenic Design by Charlie Jicha
• Afterlove (August 5-7), By David West Read | Directed by Andrew Borba | Scenic Design by Charlie Jicha

Special Events:

• CTC After Hours
• Church (July 28), By Young Jean Lee | Directed by James Palmer
• Chau-talk-One (August 18)
• SING SING, Written and performed by Megan Ketch | Directed by Rachel Mewbron

A Raisin in the Sun (June 27 – July 6)

• By Lorraine Hansberry
• Directed by Ethan McSweeny
• Scenic Design by Lee Savage
• Costume Design by Andrea Lauer
• Lighting Design by Seth Reiser
• Sound Design by Justin Ellington

The May Queen (July 18 – 27)

A World Premiere

• by Molly Smith Metzler
• Directed by Vivienne Benesch
• Scenic Design by Lauren Helpern
• Costume Design by Tracy Christensen
• Lighting Design by Scott Bolman
• Sound Design by Steven Cahill

The Tempest (August 8 – 15)

• by William Shakespeare
• Directed by Jade King Carroll
• Scenic Design by Lee Savage
• Costume Design by Lauren Shaw
• Lighting Design by Jane Cox
• Sound Design by Peter John Still

The New Play Workshop:

• Scenic Design by Ismir Ickbal
• Costume Design by Hannah Prochaska
• Lighting Design by Kristin Neu
• Sound Design by Elliot Davoren
• Dairyland (July 10-12), by Kate Armbruster | Directed by Lisa Rothe
• The Guadalupe (July 31 – August 2), by Carol Carpenter | Directed by Ethan McSweeny

Special Events:

• Original Outdoor Project Series (June 30):
• What Lies Within Me (cannot be destroyed), Directed by Danielle Skraastad
• Late Night Special (July 23):
• Apparition: An Uneasy Play of Underknown, by Ann Washburn | Adapted and Directed by Heidi Handelsman

Go West! (July 26)

• Inaugural InterArts Project CTC with the CSO, Chautauqua Dance, Chautauqua Opera, Music School Voice Department and VACI
• Directed by Andrew Borba
• Scenic Design: Tom Buderwitz
• Costume Design: Tracy Christensen
• Lighting Design: JP Woodey
• Conducted by: Timothy Muffitt

Chau-talk-One: Maxwell Dunn Returns (August 12)

• Written and Performed by Dave Quay

Cat on a Hot Tin Roof (June 28 – July 7)

• By Tennessee Williams
• Directed by Lisa Rothe
• Scenic Design by Lee Savage
• Lighting Design by Theresa Squire
• Sound Design by Lindsay Jones

Clybourne Park (July 19 – 28)

• by Bruce Norris
• Directed by Davis McCallum
• Scenic Design by Jason Simms
• Costume Design by Jessica Pabst
• Lighting Design by Matt Frey
• Sound Design by Daniel Kluger

The Comedy of Errors (August 9 – 16)

• by William Shakespeare
• Directed by Andrew Borba
• Scenic Design by Tom Buderwitz
• Costume Design by Angela Calin
• Lighting Design by Charlie Morrison
• Sound Design by Steven Cahill

The New Play Workshop:

• Scenic Design by Lauren Mills
• Costume Design by Janet O’Neill
• Lighting Design by Sarah Tundermann
• Sound Design by Justin Schmitz
• Dark Radio (July 11-13), by Colin McKenna | Directed by Mike Donahue
• Transit (August 1-3), by Kait Kerrigan | Directed by Sarah Rasmussen

Special Events:

Original Outdoor Project Series (July 1):

• The Untied, Held Peace of Walter Weede Ewing, An evening of nonesense, freely adapted from the works of Toby D. Tourmande | Directed by Karl Kenzler
• Radio Play Frankenstein (July 23), Adapted and Directed by Sarah Hartmann

Romeo & Juliet Project (July 27)

• Inaugural InterArts Project CTC with the CSO, Chautauqua Dance, Chautauqua Opera and Music School Voice Department
• Directed by Vivienne Benesch
• Scenic Design: Lee Savage
• Costume Design: Tracy Christensen
• Lighting Design: Scott Bolman
• Conducted by: Timothy Muffitt

Chau-talk-One: Bird. Elephant. China. (August 13), Written and Performed by Deirdre Lovejoy | Imagined for the Stage by Kate Rigg

The Philadelphia Story (June 29 – July 8, 2012)

• by Philip Barry
• Directed by Andrew Borba
• Scenic Design by Tom Buderwitz
• Costume Design by Tracy Christensen
• Lighting Design by Tyler Micoleau
• Sound Design by Steven Cahill

Fifty Ways (July 20 – July 29, 2012)Originally commissioned by Chautauqua Theater Company, Vivienne Benesch and Ethan McSweeny, Artistic Directors, Robert Chelimsky, Managing Director, in association with the Chautauqua Writers’ Center.

• by Kate Fodor
• Directed by Ethan McSweeny
• Scenic Design by Lee Savage
• Costume Design by Tracy Christensen
• Lighting Design by Scott Bolman
• Sound Design by Lindsay Jones

As You Like It (August 10 – August 17, 2012)

• by William Shakespeare
• Directed by Jackson Gay
• Scenic Design by Lee Savage
• Costume Design by Oana Botez
• Lighting Design by Paul Whitaker
• Sound Design by Justin Ellington

The New Play Workshop

• Scenic Design by Reid Thompson
• Costume Design by Sabrina Zain
• Lighting Design by Yi-Chung Chen
• Sound Design by Elisheba Itoop
• Everything is Ours (July 12- 14, 2012), By Nikole Beckwith | Directed By Adrienne Campbell-Holt
• Muckrakers (August 2–4, 2012), by Zayd Dorhn | Directed by Ethan McSweeny

Special Events

• Allistair (July 6, 2012), Directed by Aole Miller

Cha-talk-One:

• Damascus (July 26, 2012), Written and Performed by Andrew Weems
• Hold These Truths (August 13, 2012), Written by Jean Sakata | Directed by Lisa Rothe | Performed by Joel de la Fuente
• Mine (July 24, 2012), Written by Bekah Brunstetter | Directed by Sash Bichsoff | Music by Joe Pug

Three Sisters (July 6 – July 17, 2011)

• By Anton Chekhov
• Directed by Brian Mertes
• Scenic Design by Jim Findlay
• Costume Design by Olivera Gajic
• Lighting Design by Peter Ksander
• Sound Design by Broken Chord

Love’s Labour’s Lost (August 11 – August 19, 2011)

• by William Shakespeare
• Directed by Ethan McSweeny
• Scenic Design by Lee Savage
• Costume Design by Tracy Christensen
• Lighting Design by Tyler Micoleau
• Sound Design by Steven Cahill

The New Play Workshop (July 21 – July 31, 2011)

• Scenic Design by Christopher Murillo
• Costume Design by Erin Amelia White
• Lighting Design by Cecilia Durbin
• Sound Design by Dave Hunter
• Elijah, By Michael Mitnick | Directed by Ethan McSweeny
• Build, By Michael Golamco | Directed by Vivienne Benesch
• Carve, By Molly Smith Metzler | Directed by Andrew Borba

Special Events:

• Top Secret Rock-Operation (July 9, 2011),Directed by Aole Miller

Chau-talk-One:

• Swimming Through Abu Dhabi (July 30, 2011), Written and Performed by Michael Gaston
• The Brothers Size (August 13, 2011), By Terell Alvin MCraney | Directed by Patrick Walsh

You Can’t Take it With You (July 14-25, 2010)

• by George S. Kaufman and Moss Hart
• Directed by Paul Mullins
• Scenic Design by Lee Savage
• Costume Design by Alixandra Gage Englund
• Lighting Design by Michael Giannitti
• Sound Design by David Hunter

Amadeus

• July 22, 2010 w/ Chautauqua Symphony Orchestra, Conducted by Stefan Sanderling
• July 24, 2010 w/ Buffalo Philharmonic Orchestra, Conducted by JoAnn Falletta
• by Peter Shaffer
• Directed by Vivienne Benesch
• Scenic Design by Lee Savage
• Costume Design by Theresa Squire
• Lighting Design by Roz Fulton
• Sound Design by David Hunter

Macbeth (August 13-21, 2010)

• By William Shakespeare
• Directed by Andrew Borba
• Scenic Design by James Kronzer
• Costume Design by Wade Laboissoniere
• Lighting Design by Tyler Micoleau
• Sound Design by Steven Cahill

The New Play Workshop

• Scenic Design by John Zuiker
• Costume Design by Mark Nagle
• Lighting Design by Ellie Rabinowitz
• Sound Design by Dave Hunter
• Close Up Space (July 1-4, 2010), By Molly Smith Metzler | Directed by Ethan McSweeny
• An Incident (July 2-August 1, 2010), By Anna Ziegler | Directed by Vivienne Benesch & Katherine McGerr

Arcadia (July 4-12, 2009)

• By Tom Stoppard
• Directed by Davis McCallum
• Scenic Design by Lee Savage
• Costume Design by Tracy Christensen
• Lighting Design by Tyler Micoleau
• Sound Design by Michael Roth

The Glass Menagerie (July 25-August 2, 2009)

• By Tennessee Williams
• Directed by Ethan McSweeny
• Scenic Design by Lee Savage
• Costume Design by Tracy Christensen
• Lighting Design by Tyler Micoleau
• Sound Design by Michael Roth

The Winter’s Tale (August 15-22, 2009)

• By William Shakespeare
• Directed by Anne Kauffman
• Scenic Design by Kris Stone
• Costume Design by Jennifer Moeller
• Lighting Design by Ben Stanton
• Sound Design by Martin Desjardines

The New Play Workshop

• Scenic Design by Caite Hevner
• Costume Design by Crystal Gomes
• Lighting Design by Annie Wiegand
• Sound Design by Dave Hunter
• Rx (July 16-18, 2009), By Kate Fodor | Directed by Vivienne Benesch
• The Further Adventures of Suzanne and Monica (August 6-8, 2009), By Alex Lewin | Directed by Ethan McSweeny

Special Events

• The u-n-i-VERSE Project (July 27, 2009), Conceived and performed by Clifton Duncan
• Lost and Found (July 9, 2009), Conceived and directed by Aole Miller

Death of a Salesman (June 28-July 6, 2008)

• By Arthur Miller
• Directed by Ethan McSweeny
• Scenic Design by Lee Savage
• Costume Design by Tracy Christensen
• Lighting Design by Tyler Micoleau
• Sound Design by Michael Roth

Reckless (July 19-July 27, 2008)

• By Craig Lucas
• Directed by Matthew Arbour
• Scenic Design by Narelle Sissons
• Costume Design by Dane Laffrey
• Lighting Design by Tyler Micoleau
• Sound Design by Steven Cahill

Every Good Boy Deserves Favor (July 24, 2008)

• By Tom Stoppard/Music by André Previn
• Directed by Ethan McSweeny
• With the CSO, conducted by Timothy Muffit
• Scenic Design by Michaela Duffy
• Costume Design by
• Lighting Design by
• Sound Design by

A Midsummer Night’s Dream (August 9-16, 2008)

• By William Shakespeare
• Directed by Alec Wild
• Scenic Design by Lee Savage
• Costume Design by Alixandra Gage Englund
• Lighting Design by Stephen Strawbridge
• Sound Design by Victoria DeIorio

The New Play Workshop

• Scenic Design by Ada Nelson
• Costume Design by Sarah Patterson Nelson
• Lighting Design by Amanda Clegg Lyon
• Sound Design by Dave Hunter
• Variations on a Theme (July 10-12, 2008), By Anna Ziegler | Directed by Ethan McSweeny
• Sick (July 31-August 2, 2008), By Zayd Dohrn | Directed by Vivienne Benesch

Special Events

• Shadow Play (June 29, 2008), Conceived & Directed by Karl Kenzler
• The Joyce Carol Oates Project (July 9, 2008), Conceived & Directed by Katherine McGerr

Ah, Wilderness (June 30-July 8, 2007)

• by Eugene O’Neill
• Directed by Lisa Rothe
• Scenic Design by Mimi Lien
• Costume Design by Theresa Squire
• Lighting Design by Shelly Sabel
• Sound Design by Scott O’Brien

The Just (July 21-29, 2007)

• by Albert Camus/Translated by Anthony Clarvoe
• Directed by Ethan McSweeny
• Scenic Design by Lee Savage
• Costume Design by Wade Laboissonniere
• Lighting Design by Scott Zielinski
• Sound Design by Scott O’Brien

Much Ado About Nothing (August 11-18, 2007)

• By William Shakespeare
• Directed by Vivienne Benesch
• Scenic Design by Andromache Chalfant
• Costume Design by Clint Ramos
• Lighting Design by Jane Cox
• Sound Design by Steven Cahill

The New Play Workshop

• Scenic Design by Jason Simms
• Costume Design by Nicole Wee
• Lighting Design by Melissa Mizell
• Sound Design by Scott O’Brien
  • Vaidehi (July 12-14, 2007), By Gautam Raja | Directed by Pamela Berlin
  • Isaac and Ishmael (August 2-4, 2007), By David Schulner | Directed by Liesl Tommy

The Cherry Orchard (July 1-9, 2006)

• by Anton Chekhov
• Translated by Paul Schmidt
• Directed by Ethan McSweeny
• Scenic Design by Troy Hourie
• Costume Design by Tracy Christensen
• Lighting Design by Jane Cox
• Sound Design by David Maddox

The Art of Coarse Acting (July 22-30, 2006)

• by Michael Green
• Directed by Dylan Baker
• Scenic Design by Troy Hourie
• Costume Design by Tracy Christensen
• Lighting Design by Shelly Sabel
• Sound Design by Scott O’Brien

Twelfth Night (August 12-19, 2006)

• by William Shakespeare
• Directed by Andrew Borba
• Scenic Design by Michael Ganio
• Costume Design by Wade Laboissonniere
• Lighting Design by Peter West
• Sound Design by Steven Cahill

The New Play Workshop

• Scenic Design by Kina Park
• Costume Design by Jennafer Collins
• Lighting Design by Shannon Dougherty/Lilly Fossner
• Sound Design by Scott O’Brien
  • Aux Cops (July 13-15, 2006), by Quincy Long | Directed by Ethan McSweeny
  • 100 Saints You Should Know (August 3-5, 2006), by Kate Fodor | Directed by Ethan McSweeny

All My Sons (July 7-16, 2005)

• by Arthur Miller
• Directed by Ethan McSweeney
• Scenic Design by Michael V. Sims
• Costume Design by Tracy Christensen
• Lighting Design by Shelly Sabel
• Sound Design by Eun-Jin Cho

Picasso at the Lapin Agile (July 21-30, 2005)

• by Steve Martin
• Directed by Mark Nelson
• Scenic Design by Michael V. Sims
• Costume Design by Tracy Christensen
• Lighting Design by Shelly Sabel
• Sound Design by Eun-Jin Cho

Measure for Measure (August 11-20, 2005)

• by William Shakespeare
• Directed by Vivienne Benesch
• Scenic Design by Michael Simms
• Costume Design by Michael V. Sims
• Lighting Design by Jane Cox
• Sound Design by Eun-Jin Cho

The New Play Workshop

• Scenic Design by Michael Sims
• Costume Design by Laurel Walford
• Lighting Design by Jane Cox
• Sound Design by Eun-Jin Cho
  • Ariel Sharon Stands at the Temple Mount and Dreams of Theodor Herzl, by David Zellnik | Directed by Julia Gibson
  • What Then, by Rinne Groff | Directed by Ethan McSweeney

The Illusion (August 7-14, 2004)

• by Tony Kushner
• Directed by Susan Fenichell
• Scenic Design by Curtis Phillips
• Costume Design by Kathryn Rohe
• Lighting Design by John Marty
• Sound Design by Eun-Jin Cho

Light up the Sky (August 19-21, 2004)

• by Moss Hart
• Directed by Richard E. Hess
• Scenic Design by Curtis Phillips
• Costume Design by Kathryn Rohe
• Lighting Design by Todd Proffitt
• Sound Design by Eun-Jin Cho

My Children, My Africa (July 10-17, 2004)

• by Athol Fugard
• Directed by Ralph Zito
• Scenic Design by Curtis Phillips
• Costume Design by Laurel Walford
• Lighting Design by John Marty
• Sound Design by Eun-Jin Cho

The Revenger’s Tragedy (July 24-31, 2004)

• by Thomas Middleton
• Directed by Jane Drake Brody
• Scenic Design by Curtis Phillips
• Costume Design by Kathryn Rohe
• Lighting Design by John Marty
• Sound Design by Eun-Jin Cho

The Last Schwartz (August 8, 2004)

• by Deborah Zoe Laufer

Cobb (August 2-9, 2003)

• by Lee Blessing
• Directed by Ethan McSweeny
• Scenic Design by David Newell
• Costume Design by T. Michael Hall
• Lighting Design by Beth Turomsha
• Sound Design by Andy Smith

A Flea in Her Ear (August 14-16, 2003)

• by Georges Feydeau
• Directed by Richard Hess
• Scenic Design by David Newell
• Costume Design by T. Michael Hall
• Lighting Design by Todd Proffitt
• Sound Design by Andy Smith

Love’s Labours Lost (July 19-26, 2003)

• by William Shakespeare
• Directed by Ralph Zito
• Scenic Design by David Newell
• Costume Design by T. Michael Hall
• Lighting Design by Beth Turomsha
• Sound Design by Andy Smith

Proof (July 5-12, 2003)

• by David Auburn
• Directed by Rebecca Guy
• Scenic Design by David Newell
• Costume Design by T. Michael Hall
• Lighting Design by Beth Turomsha
• Sound Design by Andy Smith

Macbeth (dates)

• by William Shakespeare
• Directed by Rob Bundy
• Scenic Design by Andrew Holland
• Costume Design by T. Michael Hall
• Lighting Design by Aaron Copp
• Sound Design by Andy Smith

On the Verge (July 6-13, 2002)

• or The Geography of Yearning
• by Eric Overmeyer
• Directed by Rebecca Guy
• Scenic Design by Andrew Cavanaugh Holland
• Costume Design by T. Michael Hall
• Lighting Design by Aaron Copp
• Sound Design by Andy Smith

Once in a Lifetime (August 15-17, 2002)

• by Georges S. Kaufman and Moss Hart
• Directed by Ralph Zito
• Scenic Design by Andrew Cavanaugh Holland
• Costume Design by T. Michael Hall
• Lighting Design by Aaron Copp
• Sound Design by Andy Smith

Special Events

The September 11 Project at Chautauqua (August 3-10, 2002)

• Directed by Vivienne Benesch
• Scenic Design by Abby Ranger
• Costume Design by T. Michael Hall
• Lighting Design by Aaron Copp
• Sound Design by Andy Smith

Hay Fever (July 7-14, 2001)

• by Noel Coward
• Directed by Rebecca Guy
• Scenic Design by Andrew Cavanaugh Holland
• Costume Design by T. Michael Hall
• Lighting Design by Aaron Copp
• Sound Design by Andy Smith

The Laramie Project

• Directed by Rob Bundy
• Scenic Design by Curtis Phillips
• Costume Design by T. Michael Hall
• Lighting Design by Aaron Copp
• Sound Design by Andy Smith

A Midsummer Night’s Dream (July, 2001)

• by William Shakespeare
• Directed by Ralph Zito

The Skin of our Teeth (August 16-18, 1999)

• by Thornton Wilder
• Directed by Vivienne Benesch

Special Events

Preserve (July 15, 2001)

• Writers-in-residence
• by Courtney Baron
• Directed by Courtney Baron

Arms and The Man (July 8-15, 2000)

• by George Bernard Shaw
• Directed by Rob Bundy
• Scenic Design by Adam Stockhausen
• Costume Design by Heather M. Lindsten
• Lighting Design by Allen Hahn
• Sound Design by Richard Dunks

Collected Stories (August 5-12, 2000)

• by Donald Margulies
• Directed by Rebecca Guy
• Scenic Design by Adam Stockhausen
• Costume Design by Heather M. Lindsten
• Lighting Design by Tyler Micoleau
• Sound Design by Richard Dunks

Street Scene (August 17-19, 2000)

• by Elmer Rice
• Directed by Mark Ax
• Scenic Design by Joshua Spitzig
• Costume Design by Heather M. Lindsten
• Lighting Design by Tyler Micoleau
• Sound Design by Richard Dunksv

The Tempest (July 22-29, 2000)

• by William Shakespeare
• Directed by Tim Vasen
• Scenic Design by Adam Stockhausen
• Costume Design by Heather M. Lindsten
• Lighting Design by Allen Hahn
• Sound Design by Richard Dunks

The Dining Room (dates)

• by A. R. Gurney
• Directed by Ralph Zito
• Scenic Design by Troy Hourie
• Costume Design by Heather Lindsten
• Lighting Design by Miriam Nilofa Crowe
• Sound Design by Richard Dunks

A Girl’s Life (July 10-17, 1999)

• by Kathleen Tolan
• Directed by Caroline Kava
• Scenic Design by Troy Hourie
• Costume Design by Heather M. Lindsten
• Lighting Design by Miriam Nilofa Crowe
• Sound Design by Richard Dunks

Old Wicked Songs (August 7-14, 1999)

• by Jon Marans
• Directed by Time Vasen
• Scenic Design by Troy Hourie
• Costume Design by Heather M. Lindsten
• Lighting Design by Miriam Nilofa Crowe
• Sound Design by Richard Dunks

Twelfth Night (July 24-31, 1999)

• by William Shakespeare
• Directed by Rob Bundy
• Scenic Design by Troy Hourie
• Costume Design by Heather M. Lindsten
• Lighting Design by Miriam Nilofa Crowe
• Sound Design by Richard Dunks

Antigone (August 8-15, 1998)

• by Sophocles
• Translated by Dudley Fitts and Robert Fitzgerald
• Directed by Derek Anson Jones
• Scenic Design by Allen Hahn
• Costume Design by Michael Oberle
• Lighting Design by Allen Hahn
• Sound Design by M. Adam Jacob

Marvin’s Room (July 11-18, 1998)

• by Scott McPherson
• Directed by Tim Vasen
• Scenic Design by John Coyne
• Costume Design by Michael Oberle
• Lighting Design by Allen Hahn
• Sound Design by M. Adam Jacob

Romeo and Juliet (August 8-15, 1998)

• by William Shakespeare
• Directed by Rob Bundy
• Scenic Design by John Coyne
• Costume Design by Michael Oberle
• Lighting Design by Allen Hahn
• Sound Design by M. Adam Jacob

You Can’t Take It with You (August 20-23, 1998)

• by George S. Kaufman and Moss Hart
• Directed by Ralph Zito
• Scenic Design by Troy Hourie
• Costume Design by Heather Lindsten
• Lighting Design by Miriam Nilofa Crowe
• Sound Design by Richard Dunks

As You Like It (July 19-26, 1997)

• by William Shakespeare
• Directed by Ralph Zito

Our Town (August 2-9, 1997)

• by Thompton Wilder
• Directed by Mark C. Ax

The Substance of Fire (July 5-12, 1997)

• by Jon Robin Baitz
• Directed by Rob Bundy

Waiting for the Parade (August 2-9, 1997)

• by John Murrell
• Directed by Rebecca Guy

The Faithful (August 3-10, 1996)

• by Nancy Kline
• Directed by Rebecca Guy
• Scenic Design by Paul Clay
• Costume Design by Steven Schmidt
• Lighting Design by Paul Clay

Iphigenia and Other Daughters (July 12-20, 1996)

• Written and Directed by Ellen McLaughlin
• Scenic Design by Paul Clay
• Costume Design by Jessica Grace
• Lighting Design by Paul Clay
• Sound Design by Gina Leishman

The Learned Ladies

• by Moliere

Translations (July 25-28, 1996)

• by Brian Friel
• Directed by Rob Bundy
• Scenic Design by Paul Clay
• Costume Design by Jessica Grace
• Lighting Design by Paul Clay

All in the Timing

• by David Ives

The Good Person of Szechuam

• by Bertold Brecht

The Real Thing (July 28-August 5, 1995)

• by Tom Stoppard
• Directed by Christopher Hanna
• Scenic Design by Matthew Maraffi
• Costume Design by Jessica Grace
• Lighting Design by Suzanne Lavender

The Taming of the Shrew

• by William Shakespeare

The House of the Blue Leaves (July 23-August 6, 1994)

• by John Guare

The Tempest (July 14-17 and August 18-20, 1994)

• by William Shakespeare
• Directed by

The Adding Machine (August 19-21, 1993)

• by Elmer L. Rice
• Directed by Rebecca Guy
• Scenic Design by Robert Gore
• Costume Design by Jessica Gore
• Lighting Design by Shelley Bradshaw

The Land of Heart’s Desire (July 16-18, 1993)

• by W. B. Yeats
• Directed by Richard Feldman
• Scenic Design by Robert Gore
• Costume Design by Jessica Gore
• Lighting Design by Shelley Bradshaw

Tartuffe (July 31-August 14, 1993)

• by Moliere
• Directed by Christopher Hanna
• Scenic Design by Robert Gore
• Costume Design by Jessica Gore
• Lighting Design by Shelley Bradshaw

The Government Inspector (August 20-22, 1992)

• by Gogol
• Directed by Rebecca Guy

Mad Forest (July 23-26, 1992)

• by Caryl Churchill
• Directed by Jonathan Bort
• Scenic Design by Dawn-Robyn Petelik (Petrlick?)
• Costume Design by Catharine Hirner
• Lighting Design by Shelly Bradshaw

Night of the Iguana (August 1-14, 1992)

• by Tennessee Williams
• Directed by Christopher Hanna
• Scenic Design by Dawn-Robyn Petrlick (Petelik?)
• Costume Design by Catharine Hirner
• Lighting Design by Shelly Bradshaw

Savage/ Love and Tongues (July 16-19, 1992)

• by Sam Shepard and Joseph Chaikin
• Directed by Nancy Lane
• Scenic Design by Dawn-Robyn Petelik (Petrlick?)
• Costume Design by Catharine Hirner
• Lighting Design by Shelly Bradshaw

Antigone (July 18-24, 1991)

• by Jean Anouilh
• Directed by Nancy Lane
• Scenic Design by Nicole Peskin
• Costume Design by Catharine Hirner
• Lighting Design by Shelly Bradshaw

Blue Window (August 8-11, 1991)

• by Craig Lucas
• Directed by Jonathan Bolt

Love, the Best Doctor (August 8-11, 1991)

Old Times (July 27-August 3, 1991)

• by Harold Pinter
• Directed by Christopher Hanna
• Scenic Design by Bill Clarke
• Costume Design by Lynne M. H. Hutton
• Lighting Design by Mary Louis Geiger

The Show Off (July 13-14, 1991)

The Hot L Baltimore (July 12-15, 1990 in Normal Hall)

• by Lanford Wilson
• Directed by Rebecca Guy
• Scenic Design by Alex W. Hutton
• Costume Design by Lynne M. H. Hutton
• Lighting Design by David Holcomb

The Knaveries of Scapin (August 16-19, 1990 in Normal Hall)

• by Moliere
• Directed by Pierre LeFevre
• Scenic Design by Alex W. Hutton
• Costume Design by Lynne M. H. Hutton
• Lighting Design by David Holcomb

Oh, Dubrovnik! (July 19-August 22, 1990)

• Written and Directed by Jonathan Bolt
• Scenic Design by Alex W. Hutton
• Costume Design by Lynne M. H. Hutton
• Lighting Design by David Holcomb

Under Milkwood (August 9-12, 1990)

• by Dylan Thomas
• Directed by Rebecca Guy
• Scenic Design by Alex W. Hutton
• Costume Design by Lynne M. H. Hutton
• Lighting Design by David Holcomb

The Road to Mecca (July 27-August 4)

• by Athol Fugard
• Directed by Christopher Hanna

The Collection (July 20-23, 1989)

• by Harold Pinter
• Directed by Lori Herbison
• Scenic Design by Sarah Edkins
• Costume Design by Sharee Solow
• Lighting Design by David Holcomb

Noah (August 17-20, 1989)

• by Andre Obey
• Directed by Pierre LeFevre

Reckless (August 10-13 in Normal Hall)

• by Craig Lucas
• Directed by Lori Herbison

Six Characters in Search of an Author (July 13-16, 1989 in Normal Hall)

• by Luigi Pirandello
• Directed by Rebecca Guy
• Scenic Design by Sarah Edkins
• Costume Design by Sharee Solow
• Lighting Design by David Holcomb

A Walk in the Woods (July 28-August 5, 1989 in Normal Hall)

• by Lee Blessing
• Directed by Christopher Hanna
• Scenic Design by Sarah Edkins
• Costume Design by Sharee Solow
• Lighting Design by David Holcomb

American One Acts (August 4-7, 1988 in Normal Hall)

• with works by William Inge, Shirley Lauro, David Mamet and John Patrick Stanley
• Directed by R. Scott Lank and Rebecca Guy

The Ghost Sonata (August 11-14, 1988 in Norman Hall)

• by August Strindberg
• Directed by Pierre Lefevre

Interview (July 23-24, 1988)

Phaedra Britannica (August 19-22, 1988 in Norton Hall)

• by Tony Harrison, after Racine
• Directed by Carey Perloff
• Scenic Design by Donald Eastman
• Costume Design by Gabriel Berry
• Lighting Design by Frances Aronson
• Sound Design by Rachel Rieger

Uncle Vanya (July 14-17, 1988 in Normal Hall)

• by Anton Chekhov
• Directed by Rebecca Guy

The Fables of La Fontaine (August 13-16, 1987 in Normal Hall)

• Directed by Pierre LeFevre

The Good Doctor (July 16-19, 1987 in Normal Hall)

• by Neil Simon
• Directed by Gerald Gutierrez

Laundry & Bourbon (August 6-9, 1987)

• by James Mclull
• Directed by Rebecca Guy
• Scenic Design by Peter Eastman
• Costume Design by Lee Anne Dorsey
• Lighting Design by Maidie Greet
• Sound Design by Rick Menke

Lone Star (August 6-9, 1987)

• by James Mclull
• Directed by Rebecca Guy
• Scenic Design by Peter Eastman
• Costume Design by Lee Anne Dorsey
• Lighting Design by Maidie Greet
• Sound Design by Rick Menke

The Lion in Winter (July 31-August 3, 1987)

• by James Goldman
• Directed by Gerald Gutierrez
• Scenic Design by Peter Eastman
• Costume Design by Lee Anne Dorsey
• Lighting Design by Maidie
• Sound Design by Rick Menke

Scenes and Revelations (August 23-26, 1987)

• by Elan Golongik
• Directed by Rebecca Guy
• Scenic Design by Peter Eastman
• Costume Design by Lee Anne Dorsey
• Lighting Design by Maidie Greet
• Sound Design by Rick Menke

Love, the Best Medicine (August 14-August 17,1986)

• by Moliere
• Directed by Peter LeFevre

The Four Poster (August 22-25, 1986 in Norton Hall)

• by Jan De Hartog
• Directed by Gerald Gutierrez
• Scenic Design by Elizabeth Dayre and Derek McLane
• Costume Design by Sheila Kehoe
• Lighting Design by Betsy Adams

Friday Night Phaeton

Key Exchange (August 1-4, 1986 in Norton Hall)

• by Kevin Wade
• Directed by Michael Kahn
• Scenic Design by Elizabeth Dayre and Derek McLane
• Costume Design by Sheila Kehoe
• Lighting Design by Betsy Adams

Three by Thornton Wilder (July 17 – July20 in Normal Hall)

• Directed by Michael Kahn

Uncommon Women and Others (August 7 – August 10 in Normal Hall)

• by Wendy Wasserstein
• Directed by Rebecca Guy

USA (July 24 – July 27, 1986 in Normal Hall)

• Adapted by Paul Shyre from the novel by John Dos Passos
• Directed by Rebecca Guy

The Glass Menagerie (August 16-23, 1985)

• by Tennessee Williams
• Directed by Michael Kahn
• Scenic Design by C. Jane Eppersen
• Costume Design by Sheila Kehoe
• Lighting Design by Linda Essig

The Servant of Two Masters (August 8-11. 1985)

• Directed by Pierre Lefevre

Under Milk Wood (August 1-?, 1985)

• by Dylan Thomas
• Directed by Rebecca Guy and Nancy Lane
• Scenic Design by C. Jane Eppersen
• Costume Design by Sheila Kehoe
• Lighting Design by Linda Essig

The Private Lives of the Master Race

Ten Blocks on the Camino Real and Other Plays

The Diviners

A Voice of My Own

The Doctor in Spite of Himself

The Cradle Will Rock

Play and Other Plays

Pericles