Leadership & Staff
General and Artistic Director
Steven Osgood recently completed his fourth season as General and Artistic Director of the Chautauqua Opera Company.
Steven opened the 2019-2020 season at Rice University conducting the double bill of Kamala Sankaram and Jerre Dye’s Taking Up Serpents and Missy Mazzoli and Royce Vavrek’s Proving Up. In January, he joined the PROTOTYPE Festival for the world premiere of Blood Moon. This Spring, at Lincoln Center Theatre, he will serve as music director and conductor for the world premiere ofIntimate Apparel by Ricky Ian Gordon and Lynn Nottage, based on her play of the same name.
Steven has conducted the world premieres of over 20 operas, including in recent seasons Breaking the Waves at Opera Philadelphia, JFK at Fort Worth Opera, The Scarlet Ibis, Thumbprint, and Sumeida’s Song for the PROTOTYPE Festival, as well as Missy Mazzoli’s Song From the Uproar with Beth Morrison Projects.
His concert work has included appearances with the Kitchener-Waterloo Symphony featuring Tony Award nominee Louise Pitre. He also conducted workshops of two new operas in development: Herschel Garfein’s Rosenkrantz and Guildentern are Dead, and Conrad Cummings’ The Golden Gate, as well as readings of Missy Mazzoli’s Song from the Uproar and Anthony Davis’ Revolution of Forms with New York City Opera’s VOX 2010.
From 2001 to 2008 Steven was Artistic Director of American Opera Projects, where he conducted numerous developmental workshops. He founded the company’s internationally recognized Composers and the Voice workshop series and remains Artistic Director of the fellowship. He conducted the world premieres of As One in its sold-out run at BAM, and Paula Kimper’s Patience and Sarah at the 1998 Lincoln Center Festival.
Music Administrator/Chorus Master
Since 1995 Carol Rausch has served as Music Administrator/Chorus Master, overseeing the musical components of the company and the Young Artist Program.
Carol is also the Chorus Master/Music Administrator for the New Orleans Opera. She has won awards for both choral direction and for the company’s success in arts education throughout Louisiana and the Gulf Coast. Carol has previously worked for Virginia Opera, Greater Miami Opera (now Florida Grand Opera), Ohio Light Opera and Opera Columbus. She has taught at The Ohio State University and has been on the staffs of Kenyon College and the Shepherd School of Music at Rice University. Carol is currently head of the opera department at Loyola University New Orleans, where she has musically prepared and conducted numerous performances. In January 2018 the city of New Orleans hosted the National Opera Association conference, for which Loyola produced Tom Cipullo’s award-winning chamber opera After Life.
Carol has performed as a member of the Pro Musica Chamber Orchestra and the Metamorphosis Chamber Ensemble. She has remained active as a coach and recital pianist, including concerts with Jennifer Rowley, Marquita Lister, Fabiana Bravo, Ned Barth, Jeanne-Michèle Charbonnet, Greer Grimsley, Luretta Bybee, Anthony Laciura, Melanie Helton, Brenda Harris and Bryan Hymel. Carol often accompanies the Gulf Coast regional auditions for the Metropolitan Opera National Council and has judged both the district and regional levels of competition throughout the U.S.
Carol holds degrees from Indiana University and The Ohio State University, and she pursued a year of study at the Conservatoire Royal de Musique in Brussels, Belgium, as a Rotary Foundation Graduate Fellow. Her piano teachers have included Jorge Bolet, Earl Wild, Richard Tetley-Kardos and Sonja Anschütz.
Director of Production
Michael Baumgarten has been the Director of Production and Resident Lighting Designer for Chautauqua Opera since 1999, and for Opera Carolina in Charlotte since 2005. Michael has designed lighting for over 450 productions at regional and international opera companies, including New York City Opera, Teatro del Giglio/Lucca, Florida Grand Opera, Opera Lyra Ottawa, Arizona Opera, Santa Fe Opera, Lyric Opera Kansas City, Palm Beach Opera, Toledo Opera, Michigan Opera Theater, and Manitoba Opera during his thirty-plus year design career. A graduate of the Yale School of Drama and member of United Scenic Artists-Local 829, he assisted on Broadway during the 1980’s, working with such designers as Craig Miller, Tom Skelton, Beverly Emmons, Jim Ingalls, and Richard Nelson.
Daniel Grambow brings over a decade of experience in the field as a producer, director, educator, and classically trained singer. The founder of Floating Opera Company, Daniel directed and produced 27 operatic productions throughout the Midwest. Examples of his work include War & Peace, an original composite opera that commemorated the centenary of World War I, Mozart’s Don Giovanni, a site-specific production at Bohemian National Cemetery, John Bilotta’s Quantum Mechanic reimagined inside of an industrial teaching kitchen, and Mozart’s Cosi fan tutte inspired by the “Super Mario” universe and performed in Bridgeport Art Center’s warehouse loading dock. Daniel’s credits also include creating an original libretto for La Bohème Warhola as an Assistant Director for Pittsburgh Festival Opera, in collaboration with the Warhol Foundation and Heartbeat Opera. And as the Education and Outreach Assistant for Chicago Opera Theater, he coordinated in-school programs for approximately 1,500 Chicago Public School students. Daniel holds a Master of Science in Leadership and Creative Enterprises from Northwestern University, a Master of Music from Cleveland Institute of Music, and a Bachelor of Music from the University of Miami Frost School of Music. Daniel joined the Chautauqua Opera Company in May 2019.
Arts Marketing Specialist
Makayla Santiago- Froebel joins as the Arts Marketing Specialist, having just over eight years of experience working in arts and cultural institutions. She previously worked at Chautauqua, with roles in dance and ticketing operations, and was most recently employed as the Communications & Development Coordinator at the Center for Elder Law & Justice in Buffalo, New York, and the Development Associate at Mark Morris Dance Group in Brooklyn, New York. In addition, her tenure includes communications and development experience from Frank Lloyd Wright’s The Martin House, Canisius College, Chautauqua Regional Youth Ballet, and serving as house manager and ticketing agent for SUNY Fredonia’s Rockefeller Arts Center.
With a passion for lifting the voices of those so often left unheard, Makayla founded the Chatty Carmens podcast in 2020 with a simple vision, that female-identifying change-makers of color deserve a platform to share their stories.
She holds a Bachelor of Science in Business with a concentration in Music Business and a Bachelor of Art in Arts Administration with a concentration in Communication from the State University at Fredonia. She also holds a Master of Science in Communication & Leadership, Non-Profit Organizational Behavior from Canisius College. In addition, she holds the Diversity & Inclusion Certification from Cornell University and is excited to infuse all she has learned into decision-making and communication strategies.