Jean-Pierre Bonnefoux, Artistic Director
Born in France, Jean-Pierre Bonnefoux joined the Paris Opera Ballet at age 14 and was named Danseur Etoile at 21.
He has danced with the Bolshoi and Kirov Ballets and in 1970 became a principal dancer with the New York City Ballet under the direction of George Balanchine. In 1977, Bonnefoux joined the faculty of the School of American Ballet, the official school of the New York City Ballet, and began to realize his lifelong ambition of training young dancers. His final performance was in 1980, after which time, he dedicated himself to work as an artistic director, choreographer and teacher.
Bonnefoux’s choreography includes works commissioned by the New York City Ballet, The Lincoln Center Institute, the Metropolitan Opera Ballet Company, and the Pennsylvania Ballet.
Bonnefoux has served as choreographer and ballet master for the Pittsburgh Ballet, as Chairman and Artistic Director of the Ballet Department in the School of Music at Indiana University. He joined the Charlotte Ballet and School of Charlotte Ballet in 1996 where he served as the President and Artistic Director until 2016.
Patricia McBride
Director of Ballet Studies and Master Teacher - Former distinguished prima ballerina with the New York City Ballet. She has been celebrated as the outstanding American ballerina of our day and is a star of international stature. In 2014 she received one of the Kennedy Center Honors for her lifetime contributions and achievements in dance. Her career with the New York City Ballet spanned more than three decades and provided audiences with dazzling performances of some of the greatest masterpieces in dance. George Balanchine and Jerome Robbins created many of their master works for her. She is a teacher of technique and variations classes for both Festival and Workshop dancers. She stages a Balanchine work every summer.
Sasha Janes
Director of Contemporary Studies (Resident Faculty) – Sasha Janes was born in Perth, Australia, and received his formal dance training from the Australian Ballet School. He has danced professionally with The West Australian Ballet, The Australian Ballet, Hong Kong Ballet, Dayton Ballet and Charlotte Ballet. In 2006 Janes was commissioned to choreograph his first ballet, Lascia la Spina, Cogli la Rosa, and since then he has choreographed several ballets for Chautauqua Festival Ballet and NC Dance Theatre including You’re So Fine, Breathe, Glass Houses, Last Lost Chance, Rhapsodic Dances and Dangerous Liaisons. Janes now serves as associate artistic director after eight seasons dancing with NC Dance Theatre. He teaches and choreographs for the Chautauqua School of Dance.
Maris Battaglia
Associate Director, School of Dance (Resident Workshop Ballet & Choreographer) - Director of the American Academy of Ballet, which was established in 1965 upon her return to Buffalo from New York City. She received her training at George Balanchine’s School of American Ballet.
Rebecca Carmazzi Janes
(Resident Faculty) Rebecca was born in Urbana, Ohio where she began her training with her Mom, Cindy Carmazzi. She also trained with the Dayton Ballet, San Francisco Ballet, Jacksonville Ballet, Joffrey Ballet, and Ballet Met. In her junior year of High School she was offered a contract with Dayton Ballet where she performed for nine years as a principal dancer. In 1999 she was awarded the Josie Award, for the Most Outstanding Female Performer of the year. Rebecca also worked with Chautauqua Festival Ballet and Ballet Met before joining Charlotte Ballet in 2002 as a principal dancer. During her career she has enjoyed dancing in numerous full length ballets such as Juliet in Septime Webre's as well as Jean Pierre Bonnefoux's 'Romeo and Juliet', Ophelia in Stephen Mills 'Hamlet', Odile and Odette in 'Swan Lake', Alice in 'Alice in Wonderland', Cinderella in 'Cinderella', Lucy in 'Dracula', Clara and Sugar Plum Fairy in 'Nutcracker', Desdemona in 'Othello', and the Marquis de Mertuil in 'Dangerous Liaisons'. She also performed in repertoire ballets by George Balanchine, Lila York, Anthony Tudor, Alonzo King, Alvin Ailey, Nacho Duato, Twyla Tharp, Dwight Rhoden, Salvatore Aiello, Mark Diamond, Sasha Janes, Nicolo Fonte, Dermot Burke, Mark Godden, Christian Holder, and Uri Sands. Since retiring to be with her three children in 2012, Rebecca has been enjoying teaching for the Charlotte Ballet Academy, Dance Davidson, Piedmont School of Music and Dance, and Open Door Studios.
Mark Diamond
(Resident Faculty) - Former soloist, Hamburg Ballet, and principal dancer, Milwaukee Ballet; choreographer for the Dayton Ballet, Milwaukee Ballet, and National Slovak Ballet. Currently choreographer and teacher for the Charlotte Ballet. He is a teacher of boys’ class for Festival and Workshop.
Sarkis Kaltakchian
Ballet, guest faculty, (Ballet and Character, Choreographer for Boys' Program) - A native of Armenia, Sarkis Kaltakchian studied at the Choreographic Institute of Yerevan, where he later danced with the Armenian National Ballet and Opera Theatre. He also danced with the Classical Ballet of Costa Rica, Les Ballets Classique de Montreal, The Banff Festival of the Arts, Ottawa Ballet, Charlotte Ballet and Hartford Ballet as soloist and principal dancer. His repertory includes the works of Balanchine, Petipa, Choo- San Goh, King, Caniparoli, Fonte,Peterson, Forsythe, Paul Taylor, Diamond, Bonnefoux and Duato. His Teaching experience includes five years in the ballet department of Les Ballets Divertimento de Montreal under the direction of Maxim Marterosian, and Head Instructor and Director of the Tulsa Ballet II since 2005. Sarkis currently teaches at The School of the Charlotte Ballet.
Rachael Humphrey Leonard
(Resident Hip Hop) Originally from Buffalo NY, where she studied dance for 15 years at the American Academy of Ballet with Maris Battaglia, Rachael is a 2010 graduate of SUNY Potsdam/Packer Dance, Configuration Dance Theater and Danny Grossman Dance Company. She is currently a member of Lehrer Dance and teaches Hip Hop.
Glenda Lucena
Ballet (resident faculty and Répétiteur) - Former principal, ballet mistress, artistic director, and academic director of the Ballet Metropolitano de Caracas, the Ballet Nacional de Venezeula, Ballet Farten and the Choreographic Center for the Arts in Barquisimeto, respectively; former ballet mistress for Miami City Ballet under the direction of Edward Villella; currently Guest Repetituer at Indiana University.
Michael Vernon
Ballet (Resident Choreographer & Faculty) - Trained at the Royal Ballet School, London and at American Ballet Theatre School, New York. Mr. Vernon performed with London Festival Ballet. He was Artistic Director of the Eglevsky Ballet. He is Chair of the Department of Ballet at the Indiana University Jacobs School of Music. He travels domestically and internationally as both teacher and choreographer.
2018 Guest Faculty
Anna Gerberich
Anna Gerberich began her training at Central Pennsylvania Youth Ballet with Marcia Dale Weary. In 2004, she was invited by Jean-Pierre Bonnefoux and Patricia McBride to apprentice with the Charlotte Ballet, and in 2005 she was hired into the company. Within four years, under Bonnefoux she was promoted to Principal. After 11 years with Charlotte Ballet, Anna accepted a position with the Joffrey Ballet. At Joffrey she had the opportunity to work with numerous choreographers including John Numier among others. Anna received the Pointe Magazine NERDA Award of Promise in 2001 and was awarded the Barbara Weisberger RDA Founders Award of Excellence in 2004. In 2014 Anna had the pleasure to appear in the Kennedy Center Honors, performing Balanchine’s Who Cares in acknowledgment to Patricia McBride.
Pete Leo Walker
Pete Leo Walker joins Aspen Santa Fe Ballet following five seasons with Charlotte Ballet, where he performed a diverse repertoire of neoclassical and contemporary works. A native of Jacksonville, FL, Pete began training at Dansations Performing Arts Center and continued at the Nutmeg Conservatory for the Arts. Pete is a 2011 recipient of the Princess Grace Award. In 2013 he was featured as one of Dance Magazine’s “Top 25 to Watch.”
Grant Cooper, orchestral music director and principal conductor
Kazuko Adachi, Alexandria Ball, Sebastian Birch, Arkady Figlin, David Morse, Nataliya Pinelis, pianists
Janice Wells, managing director
A. Christina Giannini, costume designer
Jennifer Propst, lighting designer