Media Resources

The pre-eminent expression of lifelong learning in the United States, Chautauqua Institution comes alive each summer with a unique mix of fine and performing arts, lectures, interfaith worship and programs, and recreational activities. Over the course of nine weeks, more than 100,000 people visit Chautauqua and participate in programs, classes and community events for all ages — all within the beautiful setting of a historic lakeside village. As a community, we celebrate, encourage and study the arts and treat them as integral to all of learning, and we convene the critical conversations of the day to advance understanding through civil dialogue.

Media Access

Chautauqua Institution invites media coverage from reputable regional and national outlets. During the summer season, June 22 to Aug. 25, access to Chautauqua’s grounds and venues is restricted. A limited number of complimentary press credentials is available at any given time. We place priority on requests from journalists who:

  • report for outlets capable of reaching large or influential audiences, particularly in our target markets;
  • have a track record of insightful coverage of topics aligned with Chautauqua’s programming, history and/or role as the pre-eminent lifelong-learning travel destination; and/or
  • have a specific assignment for fulsome coverage of Chautauqua or an aspect of its programming.

So that we may properly prepare for and support their efforts, journalists on assignment should request access at least 24 hours — and ideally at least a week — in advance of a program they wish to cover by completing the 2019 Media Access Request form at this link:

 

Please note the following:

  • Photography and video and audio recording on the grounds and in our venues is strictly limited and often prohibited; prior permission must be obtained prior to capturing any multimedia. Chautauqua Institution is often able to provide high-quality files of these assets.
  • We do not issue media credentials to freelance writers who do not have a specific assignment from a reputable outlet.
  • Only approved Media Pass holders may produce coverage for media outlets of events and activities on the Chautauqua Institution grounds.
  • All Amphitheater and Hall of Philosophy lecture platforms are considered on the record for journalistic and editorial purposes.
  • Our official 2019 summer assembly season hashtag is #CHQ2019 — "CHQ" styled in all caps — and we encourage its use in all social posts regarding 2019 programming.

Media Pass Procedure

  • Journalists who have not pre-arranged access using form linked above will not receive a Media Pass or official access to grounds.
  • If approved for access to the grounds, journalists and supporting colleagues will be provided complimentary parking voucher and Media Passes at the Welcome Center Ticket Office upon arrival. All individuals must be pre-cleared.
  • Institution gate passes assigned by name to each individual will be affixed to Media Passes.
  • Media Passes will be clearly marked with start and end dates/times.
  • Standard parking is in the Main Lot; on-grounds parking should not be expected and must be approved before arrival.
  • Media Passes and gate passes must be worn and displayed at all times.
  • Media Passes and lanyards must be returned to Will Call window at Main Gate Welcome Center upon departure.
  • Misuse of Media Pass access will result in dismissal from venue and grounds, and loss of future privileges.

 

News & Announcements

Recent News
Following an introduction to Chautauqua Institution’s new strategic plan, 150 Forward, President Michael E. Hill on Sunday morning tapped a historic gavel three times to officially open the Institution’s 146th Assembly. Hill’s “Three Taps” address, marking the traditional and formal start to a Chautauqua season, was titled “Walking the Tightrope Between History and Innovation,” and gave Chautauqua community members gathered a synopsis of the recently approved strategic plan, including a strong rebuke of hatred and bigotry. The remarks preceded the Institution’s popular Sunday worship service, which this particular morning featured a historic twist — for the first time at Chautauqua, the sermon was delivered by a rabbi chaplain in residence, Rabbi Sharon Brous, senior and founding rabbi of IKAR in Los Angeles.
Will Star Debra Messing and be Directed by Former CTC Artistic Director Vivienne Benesch Chautauqua Theater Company (CTC), under the leadership of Artistic Director Andrew Borba and Managing Director Sarah Clare Corporandy, is pleased to announce that its 2017 New Play Workshop Birthday Candles by Noah Haidle will be opening on Broadway in 2019–2020 season. Former CTC artistic director Vivienne Benesch will direct the Broadway premiere at the Roundabout Theatre Company, and the production will star Debra Messing, best known for her lead role in the NBC television series "Will & Grace." Birthday Candles was originally commissioned by Detroit Public Theater (DPT) in the fall of 2016. In the summer of 2017, it received a workshop production at CTC, directed by Benesch. Benesch followed the production to DPT where it received a world premiere in May 2018. This is the first time DPT and CTC have partnered in this way: from DPT’s commission, to CTC’s workshop performance and back to DPT’s world premiere.
Author Will Give Public Reading at Chautauqua Institution on Aug. 16 Chautauqua Institution is delighted to announce Anjali Sachdeva’s All the Names They Used for God: Stories (Spiegel & Grau) as the 2019 winner of The Chautauqua Prize. As author of the winning book, Sachdeva receives $7,500 and all travel and expenses for a summer residency at Chautauqua from Aug. 12 to 16, 2019. A public reading will take place at 3:30 p.m. Friday, Aug. 16, in the Hall of Philosophy on the Institution’s grounds.  Sachdeva said she was “incredibly grateful for all Chautauqua Institution has done to celebrate the arts and their potential to enrich our lives. To me, the Prize represents not only an amazing honor, but key support that will help me to continue writing.”