Born in France, Jean-Pierre Bonnefoux joined the Paris Opera Ballet at age 14 and was named Danseur Etoile at 21. He has danced with the Bolshoi and Kirov Ballets and in 1970 became a principal dancer with the New York City Ballet under the direction of George Balanchine. In 1977, Bonnefoux joined the faculty of the School of American Ballet, the official school of the New York City Ballet, and began to realize his lifelong ambition of training young dancers. His final performance was in 1980, after which time, he dedicated himself to work as an artistic director, choreographer and teacher. Bonnefoux’s choreography includes works commissioned by the New York City Ballet, The Lincoln Center Institute, the Metropolitan Opera Ballet Company, and the Pennsylvania Ballet. Bonnefoux has served as choreographer and ballet master for the Pittsburgh Ballet, as Chairman and Artistic Director of the Ballet Department in the School of Music at Indiana University. He joined the Charlotte Ballet and School of Charlotte Ballet in 1996 where he served as the President and Artistic Director until 2016.
Joseph Jefferies is Assistant Director to Northeast School of Ballet’s Conservatory Program. He has served as director of Portland Ballet Summer Dance Program and has taught master classes and workshops at ballet schools across the country. Mr. Jefferies is an award-winning choreographer creating over 30 works for companies including Ballet Memphis, Miami City Ballet, Peoria Ballet, Ballet Trockadero, Harid Conservatory, Ballet Yuma, Walnut Hill School for the Arts and Northeast Youth Ballet. He has won the RDA Emerging Choreographer scholarship twice and had his work selected and performed for New York City’s Ballet Builders Showcase and for the RDA National Convention in Montreal, Canada.
As a professional dancer Joseph was a member of Ballet Memphis dancing the lead roles in Swan Lake, Giselle, Coppelia and Cinderella. As a member of Les Ballet Trockadero de Monte Carlo he toured the world performing in over 25 different countries. Mr Jefferies currently is on faculty at Northeast School of Ballet and Chautauqua School of Dance.
Associate Artistic Director
Maris Battaglia is the director and founder of the American Academy of Ballet. She received her training at George Balanchine’s School of American Ballet (SAB) in New York City and has applied her SAB training across the country. She also taught in Latvia in 1990 for 3-weeks at the Regia Ballet School- the school that trained ballet superstar Mikhail Baryshnikov. Over 130 of her students have gone on to dance professionally in major ballet companies in the United States, Canada, Europe and the Broadway Stage. She is the Associate Director of the Chautauqua Institution’s School of Dance where she has taught since 1989. She served on the New York State Council of the Arts for an unprecedented four years and received the Arts Council in Buffalo and Erie County Award for Outstanding Arts Contributor in 2008. In 1997, she was the recipient of the Artist Excellence Award, which is presented to one outstanding dance teacher each year in the United States. In 1999, she was introduced into the Western New York Dance Hall of Fame.
Director of Ballet Studies and Master Teacher
Former distinguished prima ballerina with the New York City Ballet. She has been celebrated as the outstanding American ballerina of our day and is a star of international stature. In 2014 she received one of the Kennedy Center Honors for her lifetime contributions and achievements in dance. Her career with the New York City Ballet spanned more than three decades and provided audiences with dazzling performances of some of the greatest masterpieces in dance. George Balanchine and Jerome Robbins created many of their master works for her. She is a teacher of technique and variations classes for both Festival and Workshop dancers and stages a Balanchine work every summer.
Rebecca Carmazzi Janes
Rebecca Janes has been on faculty here at The Chautauqua Institution since her retirement from the stage. Janes’ career spanned in excess of 20 years, performing principal roles in repertoire and full-length ballets by George Balanchine, Alonzo King, Dwight Rhoden, Nacho Duato, Gerald Arpino, Marius Petipa, Septime Webre, Stephen Mills, Alvin Ailey, Twyla Tharp, Anthony Tudor, Lila York, Jean-Pierre Bonnefoux, and Sasha Janes. During her tenure as a principal dancer with Charlotte Ballet she feels honored to have been taught and coached by Patricia McBride.
Previously a senior member of the faculty at Charlotte Ballet and currently adjunct faculty at The Jacobs School of Music, ballet department. She is fully certified in Romana Pilates where she instructs privately from her home studio in Bloomington.
A native of Armenia, Sarkis Kaltakhtchian studied at the Choreographic Institute of Yerevan, where he graduated with honors. Thereafter, he joined the Armenian National Ballet. In 1989, Kaltakhtchian was invited to join Ballets Classique de Montreal. He also performed with Banff Festival of the Arts, Classical Ballet of Costa Rica, Ottowa Ballet, Hartford Ballet, Charlotte Ballet, and Tulsa Ballet Theatre.
As a soloist and principal dancer, his repertory included the works of George Balanchine, Marius Petipa, Choo-San Goh, Alonzo King, Val Caniparoli, William Forsythe, Paul Taylor, Nacho Duato and Jean-Pierre Bonnefoux. In July 1998, Kaltakhtchian performed for First Lady Hillary Rodham Clinton at the White House Millennium Council. Kaltakhtchian started teaching while still dancing, under the guidance of Maxim Martirosian, former Artistic Director of Bolshoi Ballet School.
After retiring from the stage in 2005, Kaltakhtchian became the Head Instructor for the Centre for Dance Education at Tulsa Ballet, and Director of Tulsa Ballet II. He has been a guest faculty with the Chautauqua Institution in New York since 2008. He joined the faculty of Charlotte Ballet Academy in 2010, and was named Artistic Vice Principal in 2014.
Director of Contemporary Studies
Sasha Janes is Associate Professor of ballet at the Indiana University Jacobs School of Music.
He was born in Perth, Australia, and received his formal dance training from the Australian Ballet School. He has danced professionally with West Australian Ballet, Australian Ballet, Hong Kong Ballet, and Dayton Ballet, performing principal roles in works by Jiri Kylian, George Balanchine, Nacho Duato, Jean Pierre Bonnefoux, Marius Petipa, Septime Webre, Anthony Tudor, Dwight Rhoden, Alonzo King, Twyla Tharp, Alvin Ailey, and many others.
At the invitation of Jean Pierre Bonnefoux and associate artistic director Patricia McBride, Janes joined Charlotte Ballet in 2003. In 2006, he was commissioned to choreograph his first ballet, Lascia la Spina, Cogli la Rosa, and has since choreographed several ballets for Charlotte Ballet, including Carmen, Dangerous Liaisons, We Danced Through Life, Last Lost Chance, Shelter, At First Sight, Loss, The Four Seasons, The Red Dress, Utopia, Playground Teasers, The Seed and the Soil, Chaconne, Queen, Sketches from Grace, and Rhapsodic Dances, which was performed as part of the Kennedy Center’s Ballet Across America series in June 2013. The Washington Post called Janes “a choreographer to watch.”
Janes was a participant in New York City Ballet’s Choreographic Institute and has been a guest choreographer for Richmond Ballet’s New Works Festival. He was a principal dancer with Charlotte Ballet for eight seasons before being named rehearsal director in 2007 then associate artistic director in 2012 and adding the title resident choreographer in 2013.
In fall 2016, Janes premiered his latest ballet, Saudade, for the Jacobs School of Music, where he served as guest faculty. In spring 2017, he premiered his newest work for Charlotte Ballet, inspired by Emily Bronte’s classic novel Wuthering Heights.