There will be short placement auditions for chamber music groups during the first couple days of the program. There is no special repertoire required, just be prepared with a piece you are familiar with.

Chamber Music is scheduled for all sections of the orchestra in two distinct phases. The first phase is with faculty coaches between Weeks Two to Four, and the second phase is with faculty and guest coaches and different repertoire between Weeks Five to Six. At the end of each phase every group will perform part of the studied repertoire on a public recital.  Chamber groups often include students from our voice and piano program.

The second chamber music phase is intense. During this period no orchestral rehearsals are scheduled. String players, including basses, will be placed in either a quartet or in a string chamber music orchestra. Woodwinds and some Horn players will be coached and coordinated by Diana Haskell in a combination of trios, quintets and octets. Scott Hartman will coordinate the entire brass section during this phase. Each group will be coached daily until it is scheduled for public performance during Week Six. There is also a percussion residency led by Michael Burritt during this phase with a performance culminating at the end. 

Chamber music is chaired by Arie Lipsky.


2018 Application Has Closed

The Conducting Fellowship is awarded to a gifted student pursuing a career in conducting. The applicant must be enrolled in or recently graduated (within the last year) from a graduate conducting program. Timothy Muffitt will guide the studies of the conducting fellow and the conducting fellow will lead the Music School Festival Orchestra (MSFO) on a number of works. The conducting fellow also is involved in chamber music as well and is welcome to observe the rehearsals of our resident professional orchestra, the Chautauqua Symphony Orchestra. The concert dates for the MSFO are scheduled for July 2, July 9, July 18 (joint performance with the CSO), July 23, August 6 and August 13.

A stipend of $2000 will be awarded after the completion of the first MSFO concert in July. The conducting fellow will also receive a single room in the residence halls and a full meal plan as part of the contract agreement. There is also a $500 travel allowance awarded as well once the fellow has been selected.

2018 Conducting Fellow

Bao Yue Conducting Fellow 2018

Yue Bao

Yue Bao, from Shanghai, entered the Curtis Institute of Music in 2017. As a conducting fellow, she works closely with Curtis mentor conductor Yannick Nézet-Séguin, music director of the Philadelphia Orchestra. All students at Curtis receive merit-based, full-tuition scholarships, and Ms. Bao is the Rita E. Hauser Conducting Fellow.

Ms. Bao was the student conductor of the Mannes Orchestra from 2014 to 2016. She has appeared as a guest conductor with the Shanghai Opera Symphony Orchestra, the Xiamen Philharmonic Orchestra, and the Shanghai Nanyang School Symphony. She served as a cover conductor for the Buffalo Philharmonic Orchestra as a Julius Rudel Fellow in 2015. She was a 2016 Conducting Fellow with the New Symphony Orchestra in Sofia, Bulgaria, and a 2015 Conducting Fellow with the Eastern Festival Orchestra in Greensboro, N.C.

Ms. Bao holds a Bachelor of Music degree from Shanghai Conservatory and a Master of Music degree from the Mannes School of Music, both in orchestral conducting. Her former teachers are David Hayes and XiaoOu Zhao. She is also an experienced pianist and composer.

“CHQ was one of the great musical experiences of my life. I know of no other summer program in which one can conduct so much, work with such kind and talented peers, and perform regularly for as passionate and knowledgeable an audience as CHQ's. The most important aspect was being mentored by Timothy Muffitt, who is not only a gifted conductor but one of the kindest and most supportive conducting teachers I know. His guidance was an inspiration and helped me grow so much over eight weeks. I left CHQ a new musician and conductor, inspired and invigorated by the experience, and prepared to tackle new challenges in the profession.”


– Dean Whiteside, 2015 Conducting Fellow

“CHQ is truly unique. You grow so much as a musician, an artist, but most of all as a humanitarian. You see how your discipline interacts in the larger scheme of our culture. As the conducting fellow, I cannot think of another place that provides so much hands on experience, so many performance opportunities, and such great musicians for a young conductor to perfect his craft. Of course, the guiding hand of Maestro Muffitt is what ties it all together, whose extraordinary mentoring has given me so many new tools as I continue in my career.”


– Louis Lohraseb, 2016 Conducting Fellow

As part of the curriculum we are pleased to offer our Symphony Sessions Series as a chance to further enhance the growth of all of our students. 

SYMPHONY SESSIONS (Rick Sherman, coordinator)

Symphony Session 1 
Week 2 (all winds, percussion, harp)
Open Audition Masterclass: Students bring 1-2 excerpts to play for faculty panel/student colleagues

Symphony Session 2 
Week 3 (all students)
The Psychology of Auditioning: panel discussion and Q & A

Symphony Session 3 
Week 5 (woodwinds and horns)
Open Masterclass on Mozart concerti

Symphony Session 4 
Week 4 (all winds, percussion, harp)
Open Audition Masterclass: Students bring 1-2 excerpts to play for faculty panel/student colleagues


CHQ’s School of Music is infused with a rich master class program that caters to each individual student. During the seven-week festival over 50 public master classes will be held and all students are encouraged to attend and learn technique from masters outside of their primary study.

Master classes are scheduled with distinguished visiting faculty and guest soloists with the Chautauqua Symphony Orchestra (CSO).

In recent years, visiting faculty have included: 
Richard Aaron (cello), Atar Arad (viola), Zuill Bailey (cello), Dmitri Berlinsky (violin), Thomas Booth (trumpet), Denis Brott (cello), Michael Burritt (percussion), Victor Danchenko (violin), Matthew Duvall (percussion), Heinz Fadle (trombone), Felice Farrell (cello), Josef Feigelson (cello), Marc Goldberg (bassoon), Scott Haigh (bass), Scott Hartman (trombone), Gary Hoffman (cello), Ilya Kaler (violin), Peter Kurau (horn), Owen Lee (bass), Chris Leuba (horn), Johannesburg Moser (cello), Paul Neubauer (viola), Sally O’Reilly (violin), Gustav Rivinius (cello), Carol Rodland (viola), Aaron Rosand (violin), Barrick Stees (bassoon), Almita Vamos (violin), Roland Vamos (viola), James Vandermark (bass), James Walker (flute), Peter Winograd (violin)


Masterclasses have also been given by various ensembles and chamber groups including:
Canadian Brass Ensemble, Pacifica Quartet, Meridian Arts Ensemble, Imani Wind Quintet

Student Handbook


Cost and Deposits

Cost Estimates

Living Costs

Residence Hall $750 
Security Deposit $100 (refundable)

Meal Plan
All meals (7 days) $1,080

Instructional Costs (includes full instruction costs, fitness center membership, registration fee, and gate ticket)
Instrumental Program $2,460

TOTAL: $4,290


Two deposits are required within seven days of admission into one of Chautauqua’s programs. Upon admission to the program, a placeholder or tuition deposit of $500 guarantees the student’s scholarship award, if any, and a place in the program. A security/music deposit of $100 is required of all students, including those on full scholarships. This deposit guarantees a student’s housing and is used to defray the cost of damage to dormitories or loss of or damage to other property.

Each instrumentalist receives six private lessons with a member of the faculty. Students are welcome to practice in our new air- conditioned cabins located on the campus.


Muffitt D5B 1991

Timothy Muffitt, Artistic and Music Director

Music director and conductor, Baton Rouge Symphony and Lansing Symphony




Charles Berginc 

Charles BergincTrumpet*
Principal trumpet, Phoenix Symphony Orchestra



Bill Bernatis 

Photo BernatisHorn
Bill is the professor of horn at University of Nevada, Las Vegas, as well as principal horn of the Las Vegas Philharmonic. While in CHQ, he serves as assistant principal horn. Bill's performing background includes a wealth of orchestral, chamber music, studio recording, and commercial experience. His teaching experience includes being professor of horn at Baylor University and Ithaca College before coming to UNLV.

Frederick Boyd 

Fred BoydBass Trombone
Charlotte (NC) Symphony; Carolina Brass



William Caballero

CABALLERO WILLIAM webHorn, Weeks 1–3

A graduate from the New England Conservatory in Boston, Caballero studied under former members of the Boston Symphony. Early in his career, Caballero held Third Horn positions with the prestigious Boston Symphony and Boston Pops.
As an educator, Caballero has held teaching positions at Indiana University Bloomington, Rice University and Duquesne University. He has taught master classes at prestigious institutes including his alma mater New England Conservatory, Curtis Institute of Music, New World Symphony, and the Beijing and Shanghai Conservatories – as well as numerous others. Caballero currently chairs the Brass Department at Carnegie Mellon University School of Music and is the current Associate Teaching Professor of Horn.
As Principal Horn of the Pittsburgh Symphony Orchestra for 23 years running, William Caballero is one of today’s most respected French horn players. He has performed as guest Principal Horn with the Philadelphia Orchestra, the Los Angeles Philharmonic, and the St. Louis Symphony. His previous Principal Horn positions include the Houston Symphony, Houston Grand Opera, and Hartford Symphony.

Donna Dolson

Donna Dolonresized.JPGHorn
Donna lived in Japan for eighteen years, where she served as principal horn of the Osaka Century Orchestra. She was the principal horn with the New York City Opera Nat. Co., third horn of L'Orquesta Sinfonica de la Universidad L'Autonoma de la Universidad de Guadalajara, and Utility horn with the Norwegian Radio Orchestra. A student of Froydis Ree Wekre, Donna's teaching style is geared towards bringing out each student's best self.

Don Harry

Harry Don webTuba
Don Harry became the tubaist of the Oklahoma City Symphony in 1972 and joined the Buffalo Philharmonic as principal tuba in 1973. From 1977 through 1988, he served as the tuba instructor at the Juilliard School of Music in New York City.  In 1983 and 1984, he also served as the principal tuba and teacher at the Eastern Music Festival in North Carolina.  From 1995 through 1997, Mr. Harry was the tuba instructor at Baldwin-Wallace Conservatory.  In 1990 he became a member of the Eastman Brass, and in 1996 Associate Professor of Tuba at the Eastman School, where he is now Professor of Tuba. 

He has performed with many groups and orchestras including Henry Mancini, New York Philharmonic, Boston Symphony, Orchestre de Paris, Toronto Symphony, Aspen Music Festival Orchestra, Chautauqua Symphony, and others.

Scott Hartman 

hartmanJTrombone, guest faculty
As a trombone soloist and with his various chamber ensembles, Scott Hartman has taught and played concerts in all fifty United States and throughout the world. Scott teaches trombone and chamber music at Yale University and is a member of Proteus7, Millennium Brass, the Yale Brass Trio, the Brass Band of Battle Creek and the trombone quartet - Four of a Kind. His chamber music career started as a member of the Empire Brass.

Scott Hartman received his BM and MM degrees from the Eastman School of Music, where he studied with CSO Principal Trombone, John Marcellus.

Roger Kaza 

rojer kaza 04 bfHorn, Weeks 4-7
Principal horn, Chautauqua Symphony Orchestra; member, Chautauqua Wind Quintet. Roger Kaza rejoined the St. Louis Symphony Orchestra as Principal Horn in the fall of 2009, after 14 years with the Houston Symphony. He was previously a member of the St. Louis Symphony horn section from 1983-95, and prior to that held positions in the Vancouver Symphony, the Boston Symphony, and the Boston Pops, where he was solo horn under John Williams.

As an educator, Kaza has served on the faculties of the University of Houston, Rice University, St. Louis Conservatory, University of Missouri-St. Louis, Southern Illinois University-Edwardsville, and has given master classes at the Eastman School, the Juilliard School, Indiana University, University of Michigan, and many others. Students from his years of teaching fill orchestral positions worldwide, including principal players in major U.S. symphonies, and chamber groups such as the Canadian Brass.

Eric Lindbloom

lindblom ericBass Trombone
Eric Lindblom is currently bass trombonist with the Helsingborg (Sweden) and Chautauqua Symphony orchestras and the instructor of trombone at the Malmo Academy of Music where he also leads the trombone choir. Prior to moving to Helsingborg he served as the bass trombonist of the Norrkoping Symphony Orchestra for ten seasons. Mr Lindblom is also an active chamber musician performing with the critically acclaimed Emerald Brass Quintet first prize winners of both the Fischoff and Summit Brass International competitions. He also serves on the faculty at the Ingesund College of Music in Arvika, Sweden and is the former vice president and a founding member of the Scandinavian Trombone Association. Mr. Lindblom received his degree from the Eastman School of Music studying with Professor Dr. John Marcellus. 

Affiliation: Helsingborg Symphony Orchestra (Sweden), Chautauqua Symphony Orchestra, Malmo and Ingesunds Musikhogskolor (Sweden)

John Marcellus 

john marcellus 04 bfTrombone*
Eastman Brass Quintet; faculty, Eastman School of Music



Mark Robbins 

Mark RobbinsHorn
Mark Robbins is associate principal French horn with the Seattle Symphony Orchestra, and also performs as principal horn with the Seattle Opera, including performing the horn calls for Wagner's Ring Cycle. When the Ring Cycle is not being performed in Seattle, he spends his summers with the Chautauqua Symphony Orchestra. He has been a featured soloist with the Seattle Symphony, and other orchestras on a number of occasions. Also a frequent performer of chamber music, he has performed with the Seattle Chamber Players, and is a member of the Amacord Wind Quintet. He is an active horn teacher in the Seattle area.

Raymond Stewart 

Raymond Stewart tuba webTuba
Tubaist Raymond Stewart performs regularly as a member of American Composers Orchestra, Meridian Arts Ensemble, and often appears on the Broadway stage in CHICAGO doubling string bass. He received his high school diploma from the Interlochen Arts Academy, BM from the University of Miami School of Music, and MM from the Manhattan School of Music. His principal teachers have included Toby Hanks, John Stevens, and additional studies with Carson Johnson, Dave Sporny, and Dan Perantoni.

Chris Wolf 


Originally from Ellicott City, Maryland, Chris Wolf now holds the position of Principal Trombonist with The Phoenix Symphony. Prior to joining the orchestra in September of 2011, he completed his Master's degree at The Juilliard School studying with former Metropolitan Opera Orchestra Principal Trombonist Per Brevig. He also holds a Bachelor's degree from the University of Maryland, where he studied with trombonists from The National Symphony Orchestra and Baltimore Symphony. During the summers Chris also serves as Principal Trombonist for the Artosphere Festival Orchestra in Arkansas and 2nd Trombonist for the Chautauqua Symphony Orchestra in New York.

While in college Chris received fellowships from the Aspen Music Festival, the National Repertory Orchestra, and the Tanglewood Music Center. In 2010 Chris was a solo competition winner at the Eastern Trombone Workshop and the International Trombone Festival, and was the winner of the Zellmer-Minnesota Orchestra Competition in 2011. In his free time, he enjoys hiking, cooking, and watching too many sitcoms on Netflix.


Other members of the CSO serve as adjunct faculty if requested by students. A complete listing of faculty is emailed to all admitted students.

*denotes principal players, CSO. (Faculty listings are official at time of publication but may change without notice.)